{"product_id":"lena-yarinkura-duruk-dog-68cm","title":"Lena Yarinkura, Duruk (dog), 68cm","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eAboriginal Artists - Lena Yarinkura\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eCommunity - Maningrida\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eHomeland - Buluhkarduru\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eAboriginal Art Centre - \u003cspan\u003eManingrida Arts and Culture\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eCatalogue number - 1227-25\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eMaterials - \u003cspan\u003ePandanus, Natural dyes, Paperbark, Beach Hibiscus, Ochre\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003eSize(cm) -  L68, H22, W19\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.4;\"\u003ePostage - Legs and ears removable for safe delivery\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eArtwork\u003c\/h5\u003e\n\u003cdiv\u003eThe duruk (dog) holds special mythological as well as practical significance for people of Central Arnhem Land, particularly women. The men used to go hunting with a spear and the women with a dog. If the men didn't catch a kangaroo, the women would catch a goanna. If neither caught anything, then they could catch fish. If there was neither kangaroo nor goanna, then they would eat sugarbag. This is how it was long ago – sugarbag, lily root, yam, goanna, sand goanna, fish and more were part of the regular diet. \"Don't forget that long ago we didn't know European food, we knew bush food. We used to grow from bush food.\" The fibre artist has literally and metaphorically brought together strands from their country and the mythology of their heritage to produce three-dimensional fibre creatures filled with mystical significance. Dog, mermaid, rainbow serpent, blue tongue and fish multiplication spirits: each creature plays an important role in the clan's cultural landscape.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMaterials for these camp dogs come from the clan estate. Pandanus and grass are the twines used for the creature's bodies. Red, white and yellow ochres and black ashes are then carefully mixed and applied for colour. The use of local materials provides an integral link between the mythological nature of the creatures, which inhabit the country, and their physical form.\u003c\/div\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e\n\u003ch5\u003eArtist\u003c\/h5\u003e\n\u003cp\u003e“No one taught me to use pandanus to make my animals. I have been teaching myself, I create new ways all the time.  They are only my ideas…I pass my ideas on to my children and my grandchildren. It is important that I teach them, because one day I will be gone, and they will take my place.”\u003c\/p\u003e\n\u003cp\u003e– Lena Yarinkura, 2012\u003c\/p\u003e\n\u003cp\u003e Lena Yarinkura is renowned for her ambitious and highly distinctive pandanus and paperbark fibre sculptures. Yarinkura diverged from the more conventional fibre work of her contemporaries to become one of the first Arnhem Land women to work with fibre in a sculptural way.\u003c\/p\u003e\n\u003cp\u003e Yarinkura has developed her method using pandanus in much the same process as a dilly bag or fish trap might be made: beginning by creating a closed end, much like the base of a dilly bag. When making her noted Yawkyawk spirit form,  Yarinkura works up and out to gently expand the woven structure to fashion a bulbous torso before narrowing the weave at the torso’s base or hips to create a flat two layered section representing the tail fins.  The ochre pigment applied to the textured weave of the pandanus fibre, suggest the scales of the water spirits and the shimmering quality to their skin.\u003c\/p\u003e\n\u003ch5\u003eArt Centre\u003c\/h5\u003e\n\u003cp\u003eAn art movement that is striking, political and enduring: this is what contemporary artists in Maningrida and the surrounding homelands have built, powered by their ancestral connections to country and\u003cspan\u003e \u003c\/span\u003e\u003cem title=\"Djang is the term used by most of the language groups to the west of Arnhem Land; wangarr is the same term in Burarra and Yolngu languages to the east. There is no word in English that conveys the complex concept of djang\/wangarr, which is sometimes improperly called ‘Dreaming’.\"\u003edjang\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eWays of learning and schools of art in Arnhem Land are based around a system of passing knowledge and information on to others. The art here has its genesis in body design, rock art and cultural practices, in concert with more than 50 years of collaborations, travel and political action to retain ownership of country. Values and law are expressed through language, imagery,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003emanikay\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(song),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ebunggul\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(dance), \u003cem\u003edoloppo bim\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(bark painting), sculptures, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ekun-madj\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(weaving) – the arts.\u003c\/p\u003e\n\u003cp\u003eThe artists’ transformation of\u003cspan\u003e djang\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003einto contemporary artistic expression has intrigued people around the world: art curators and collectors, and stars including Yoko Ono, Jane Campion, David Attenborough and Elton John. Pablo Picasso said of Yirawala’s paintings, ‘This is what I’ve been trying to achieve all my life.’\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eYirawala\u003c\/strong\u003e \u003c\/span\u003e(c.1897–1976) was a legendary Kuninjku leader, artist, land-rights activist and teacher, and his artwork was the first of any Indigenous artist to be collected by the National Gallery of Australia as part of a policy to represent in depth the most significant figures in Australian art.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is based on Kunibídji country in Arnhem Land in Australia’s Northern Territory. The area where artists live encompasses 7,000 square kilometres of land and sea, and over 100 clan estates, where people speak more than 12 distinct languages. Aboriginal people in this region are still on country, surviving and resilient because their country is the centre of their epistemology, their belief system, culture –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003edjang\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eArtists’ works from the larger Maningrida region can be seen in collections and institutions around the world. We work with museums, contemporary galleries and high-end retailers both nationally and internationally on projects throughout the year.\u003c\/p\u003e\n\u003cp\u003eText courtesy: Maningrida Arts and Culture\u003c\/p\u003e","brand":"Maningrida Arts","offers":[{"title":"Default Title","offer_id":53326475067616,"sku":null,"price":799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0949\/4240\/files\/LenaYarinkura68cm1227-252.jpg?v=1783395767","url":"https:\/\/artark.com.au\/products\/lena-yarinkura-duruk-dog-68cm","provider":"ART ARK® ","version":"1.0","type":"link"}