Colleen Kantawarra, Yultukunpa - Honey Grevillea, 80x40cm

• Artist - Colleen Kantawarra
• Community - Ikuntji (Haasts Bluff) 
• Art Centre/Community organisation - Ikuntji Artists
• Catalogue number - 17/CK475
• Materials - Acrylic on canvas
• Size(cm) - H40 W80 D2  
• Postage variants - Artwork posted un-stretched and rolled for safe shipping
• Orientation - Painted from all sides and OK to hang as wished

Yultukunpa, honey grevillea is locally called bush lolly. It flowers soon after the rain in the sandhills and has a very sweet taste. The painting refers to the artist's mother's Dreaming west of Kintore.

Colleen’s childhood in Papunya and later Haast’s Bluff was filled with days of hunting for bush tucker, a motif which is now richly represented in her works. Seeking out honey ants, bush bananas, bush tomatoes, bush onions, and bush berries as a child now informs the colors and shapes of Colleen Nakamara Kantawarra’s abstracted realism paintings, which suggest to the viewer a land of milk and honey, rather than the spinifex desert of our coastal understanding. Working also with traditional designs, Colleen again demonstrates the importance of bush tucker Dreamings, or the many bush tucker Tjukurrpas, which map the diverse varieties of edible plants and animals found in her country. Interpereting her stories, Colleen’s palette is rich and energised, often surprising, contemporary and deeply honest. Growing up in a family of painters, Collen was introduced to canvas and brush at an early age, and her dedication to her art is clearly visible in her works. One of the Ikuntji Artists’ Studios emerging artists Colleen Nakamara Kantawarra brings a fresh perspective to a deeply traditional art form.

A lot of stories are still being recounted of long journeys of people from various language groups, who travelled from rockholes and waterholes to caves and mountains finally arriving at Haasts Bluff. The locals, Luritja people of Haasts Bluff, were already here. Thus Haasts Bluff is a community rich of diversity in language and culture.

Ikuntji Artists was first established in 1992, after a series of workshops with Melbourne artist Marina Strocchi, and under the influence of the then community president, the late Esther Jugadai. The art centre was initially set up to fulfil the role of women’s centre providing services such as catering for old people and children in the community. After first experiences made in printing T-shirts, the artists began producing acrylic paintings on linen and handmade paper, which quickly gained the attention of the Australian and international art world as well as earning the centre an impressive reputation for fine art. The focus changed from a women’s centre to an art centre in 2005 with the incorporation of the art centre as Ikuntji Artists Aboriginal Corporation.

The artists draw their inspiration from their personal ngurra (country) and Tjukurrpa (Dreaming). They interpret the ancestral stories by using traditional symbols, icons and motifs. The artistic repertoire of Ikuntji Artists is diverse and includes for example: naive as well as highly abstract paintings told by each artist in their personal signature style. Throughout the 21 years of its existence the art movement in Ikuntji has flourished and constantly left its mark in the fine art world. At the same time the art centre has been the cultural hub of the community, maintaining, reinforcing and reinvigorating cultural practices through art-making.

Today Ikuntji Artists has eight key artists, who exhibit in Australia and internationally. They are represented in major collections across the globe.

Text: Melanie Greiner, Alison Multa and Dr Chrischona Schmidt