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Faye Nangala Hudson, Warlukurlangu Jukurrpa (Fire country Dreaming), 183x107cm
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- Aboriginal Artist - Faye Nangala Hudson
- Community - Nyirripi
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 6362/21
- Materials - Acrylic on linen
- Size(cm) - H183 W107 D2
- Postage variants - Artwork posted unstretched and rolled for safe shipping
- Orientation - Painted from all sides and OK to hang as wished.
This Dreaming belongs to Warlukurlangu country to the south-west of Yuendumu, for which Jampijinpa/Jangala men and Nampijinpa/Nangala women have custodial responsibility. An old man ‘lungkarda’ (centralian blue-tongued lizard [Tiliqua multifasciata]), of the Jampijinpa skin group, lived on a hill with his two Jangala sons. The old man would feign blindness and send the two boys hunting in search of meat. While they were gone he would hunt and eat anything that he caught before they returned. One day the sons returned with a kangaroo that they had caught after much tracking. Unfortunately the kangaroo was sacred to the ‘lungkarda’, unbeknown to the boys. In his anger the old man decided to punish his sons and the next time they went out, he put his fire stick to the ground and sent a huge bush fire after them which chased them for many miles, at times propelling them through the air. Although the boys beat out the flames, ‘lungkarda's’ special magic kept the fire alive and it re-appeared out of his blue-tongued lizard hole. Exhausted the boys were finally overcome by the flames. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. Usually sites that are depicted in paintings of this Jukurrpa include Warlukurlangu (a men's cave), Kirrkirrmanu (where the sacred kangaroo was killed), Wayililinypa (where the fire killed the two Jangala sons) and Marnimarnu (a water soakage) where the two Jangalas camped.
Theo (Faye) Nangala Hudson was born in 1989 in Alice Springs Hospital, the closest hospital to Nyirripi, a remote Aboriginal community located 440 km north-west of Alice Springs in the NT of Australia where her parents lived. She was born to Mika and Ursula Napangardi Hudson and has older twin brothers. Theo attended the local school until she was 14 years. When she left school she did odd jobs and later joined the Nyirripi Night Patrol, a service that provides safe transportation; diversion from contact with the criminal justice system; and intervention to prevent disorder in communities. Theo is married and has three children.
Theo began painting with the Warlukurlangu Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu in 2002, when she was 13 years of age. “I would watch my Grandmother paint and listen to her stories”. She began to paint in earnest with the art centre in 2006. Warlukurlangu makes regular visits to Nyirripi to drop off canvas, paint and brushes for the artists and to collect finished artwork. Theo paints her mother’s Jukurrpa (Dreamings) and her father’s Jukurrpa, such as Yuparli Jukurrpa (Bush Banana Dreaming) from her mother’s side and Pikilyi Jukuurpa (Vaughan Springs Dreaming) from her father’s side. These Dreamings have been passed down through the millennia. Theo uses an unrestricted palette and loves to create patterns that depict a modern interpretation of her traditional culture.
When Theo is not painting and looking after her family she likes to go hunting for Yurrampi (honey ants) and Yuparli (bush banana).
We take great pride in offering high-quality, authentic Aboriginal Art pieces to you. However, we are aware that there have been instances (and recent press relating to the unaffiliated APYACC) in the Aboriginal Art market where the authenticity of some artworks has been called into question. We want to assure you and all of our customers that we firmly stand behind the authenticity of every artwork we sell.
In addition to our extended 120 days standard returns, we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present. This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that they are getting what you paid for.
As part of our commitment to authentic Aboriginal Art, we work with reputable Aboriginal Art centres that we know are committed to maintaining the integrity of Aboriginal Art. Additionally, we continually monitor all aspects of the Aboriginal Art market and are acutely aware of, and are proactive in addressing any issues arising.
We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If you have any concerns about the authenticity of any art piece you purchased from us, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork we have sold we will happily provide a full refund to you at any time in the future outside of our standard returns policy.
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