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Greg Wilson, Gulach (Spike rush), 82x51cm Bark
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  • Aboriginal Art by Greg Wilson, Gulach (Spike rush), 82x51cm Bark - ART ARK®
  • Aboriginal Art by Greg Wilson, Gulach (Spike rush), 82x51cm Bark - ART ARK®
  • Aboriginal Art by Greg Wilson, Gulach (Spike rush), 82x51cm Bark - ART ARK®
  • Aboriginal Art by Greg Wilson, Gulach (Spike rush), 82x51cm Bark - ART ARK®
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Aboriginal Art by Greg Wilson, Gulach (Spike rush), 82x51cm Bark - ART ARK®
Aboriginal Art by Greg Wilson, Gulach (Spike rush), 82x51cm Bark - ART ARK®
Aboriginal Art by Greg Wilson, Gulach (Spike rush), 82x51cm Bark - ART ARK®
Aboriginal Art by Greg Wilson, Gulach (Spike rush), 82x51cm Bark - ART ARK®

Greg Wilson, Gulach (Spike rush), 82x51cm Bark

$843.00

Original Work of Art (1/1) — they all are!

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  • Aboriginal Artist - Greg Wilson
  • Community - Maningrida
  • Homeland - Gochan Jiny-jirra
  • Aboriginal Art Centre - Maningrdia Arts
  • Catalogue number - 311-22
  • Materials - Earth pigments on stringybark
  • Size(cm) - H82 W51 D2 (irregular)
  • Orientation - As displayed
  • Postage variant - Delivered ready to hang with a metal mount on the reverse

Barlparnarra is a complex of important sacred sites for the Jowunga moiety group throughout central Arnhem Land.

It is associated with the creation myth of the two sisters, which has a number of versions celebrated throughout Arnhem Land. The sisters are commonly known as Djangkawu, but in the Barlparnarra version they are called Murlurlu. Many dreaming tracks of mythological beings associated with the two sisters converge at this site and ceremonies which celebrate their journeys are still held there. The artist has depicted a key emblem for the Gun-gulol Gu-rrenyjinga clans. It is a design for gulach, the spike rush (Eleocharis dulcis) that dominates the Barlparnarra swamp country. The emblem appears as triangular motifs which cover the entire painting. The spike rush plant has edible corms which form a food source for magpie geese, a key swamp game animal. People also dig and eat the sweet corms.

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An art movement that is striking, political and enduring: this is what contemporary artists in Maningrida and the surrounding homelands have built, powered by their ancestral connections to country and djang.

Ways of learning and schools of art in Arnhem Land are based around a system of passing knowledge and information on to others. The art here has its genesis in body design, rock art and cultural practices, in concert with more than 50 years of collaborations, travel and political action to retain ownership of country. Values and law are expressed through language, imagery, manikay (song), bunggul (dance), doloppo bim (bark painting), sculptures, and kun-madj (weaving) – the arts.

The artists’ transformation of djang into contemporary artistic expression has intrigued people around the world: art curators and collectors, and stars including Yoko Ono, Jane Campion, David Attenborough and Elton John. Pablo Picasso said of Yirawala’s paintings, ‘This is what I’ve been trying to achieve all my life.’

Yirawala (c.1897–1976) was a legendary Kuninjku leader, artist, land-rights activist and teacher, and his artwork was the first of any Indigenous artist to be collected by the National Gallery of Australia as part of a policy to represent in depth the most significant figures in Australian art.

Maningrida Arts & Culture is based on Kunibídji country in Arnhem Land in Australia’s Northern Territory. The area where artists live encompasses 7,000 square kilometres of land and sea, and over 100 clan estates, where people speak more than 12 distinct languages. Aboriginal people in this region are still on country, surviving and resilient because their country is the centre of their epistemology, their belief system, culture – djang.

Artists’ works from the larger Maningrida region can be seen in collections and institutions around the world. We work with museums, contemporary galleries and high-end retailers both nationally and internationally on projects throughout the year.

Text courtesy: Maningrida Arts and Culture

We take great pride in offering high-quality, authentic Aboriginal Art pieces to you. However, we are aware that there have been instances (and recent press relating to the unaffiliated APYACC) in the Aboriginal Art market where the authenticity of some artworks has been called into question. We want to assure you and all of our customers that we firmly stand behind the authenticity of every artwork we sell.

In addition to our extended 120 days standard returns, we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present. This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that they are getting what you paid for.

As part of our commitment to authentic Aboriginal Art, we work with reputable Aboriginal Art centres that we know are committed to maintaining the integrity of Aboriginal Art. Additionally, we continually monitor all aspects of the Aboriginal Art market and are acutely aware of, and are proactive in addressing any issues arising.

We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If you have any concerns about the authenticity of any art piece you purchased from us, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork we have sold we will happily provide a full refund to you at any time in the future outside of our standard returns policy. 

Thank you for choosing ART ARK® for your Aboriginal Art purchasing. We are honoured to provide you with authentic, high-quality art pieces and look forward to continuing to serve you.