Kelly Napanangka Michaels, Mina Mina Jukurrpa (Mina Mina Dreaming) - Ngalyipi, 30x30cm

• Artist - Kelly Napanangka Michaels
• Community - Yuendumu  
• Art Centre/Community organisation - Warlukurlangu Artists Aboriginal Corporation  
• Catalogue number - 4546/15  
• Materials - Acrylic on pre-stretched canvas  
• Size(cm) - H30 W30 D3.5  
• Postage variants - Artwork posted stretched and ready to hang

This ‘Jukurrpa’ (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina.

In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngami’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to bind cuts.

The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like ‘jintiparnta’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland.

In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks).

Kelly Napanangka Michaels was born in 1965 and lives in Yuendumu, an Aboriginal settlement located 290 kms north west of Alice Springs. She attended the local school in Yuendumu. She is married to Roy Jupurrurla Curtis, the local Indigenous Police Aid. They have four daughters. She is a grandmother and spends a lot of time caring for her grandchildren. As often as possible she travels to Nyirripi a settlement 160 kms west of Yuendumu where two of her daughters live. She has been painting with Warlukurlangu Artists Aboriginal Corporation since 1987, an Aboriginal owned and governed art centre located in Yuendumu. She paints her Dreaming stories which are directly related to her traditional country, its land, features and animals such as Mina Mina Jukurrpa (Mina Mina Dreaming), Marrjadi Jukurrpa (Ceremonial and Hairstring Dreaming) Karnta Jukurrpa (Women's Dreaming) andYarla Jukurrpa (Bush Potato Dreaming). Kelly loves painting particularly her Mina Mina and Dancing patterns and designs. These patterns and designs depicting her stories have been passed down through her family for millennia. Kelly loves to spend time hunting for traditional bush foods in the countryside surrounding Yuendumu and Nyirripi. She also loves playing softball and basketball and is a keen competitor at the annual Yuendumu Sports weekend.

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