Leavannia Nampijinpa Watson, Ngapa Jukurrpa (Water Dreaming) - Puyurru, 76x46cm

• Aboriginal Artist - Leavannia Nampijinpa Watson
• Community - Yuendumu
• Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation  
• Catalogue number - 7392/22
• Materials - Acrylic paint on linen
• Size(cm) - H76 W46 D2
• Postage variants - Artwork posted un-stretched and rolled for safe shipping
• Orientation - Painted from all sides and OK to hang as wished

The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakages), or naturally occurring wells. The 'kirda' (owners) for this site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. The storm travelled across the country from the east to the west, initially travelling with a ‘pamapardu Jukurrpa’ (termite Dreaming) from Warntungurru to Warlura, a waterhole 8 miles east of Yuendumu. At Warlura, a gecko called Yumariyumari blew the storm on to Lapurrukurra and Wilpiri. Bolts of lightning shot out at Wirnpa (also called Mardinymardinypa) and at Kanaralji. At this point the Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The water Dreaming built hills at Ngamangama using baby clouds and also stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations.

The termite Dreaming eventually continued west to Nyirripi, a community approximately 160 km west of Yuendumu. The water Dreaming then travelled from the south over Mikanji, a watercourse with soakages northwest of Yuendumu. At Mikanji, the storm was picked up by a ‘kirrkarlanji’ (brown falcon [Falco berigora]) and taken farther north. At Puyurru, the falcon dug up a giant ‘warnayarra’ (rainbow serpent). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country. The ‘kirda’ (owners) of this story are Jangala men and Nangala women. After stopping at Puyurru, the water Dreaming travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.

In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming). Short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river bed.

Leavannia Nampijinpa Watson was born in 1990 in the Alice Springs Hospital, the closest hospital to Yuendumu, a remote Aboriginal community 290 km north-west of Alice Springs in the NT of Australia. She has grown up in Yuendumu and did her schooling at the local school. She is the daughter of Jill Nungarrayi and Lawrence Jangala Watson and the grand-daughter of Judy Napangardi Watson, a very successful artist who paints with Warlukurlangu Artists. Although very young, Leavannia first started painting on little boards through the Warlukurlangu Artists Art Association school cultural maintenance program held during school holidays. She has been painting professionally with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre at Yuendumu, since 2008. She paints her father’s Jukurrpa stories, particularly Ngapa Jukurrpa (Water Dreaming) which travelled from east to Mikanji west of Yuendumu. These stories have been passed down through the generations for millennia. She uses an unrestricted palette to develop a modern interpretation of her traditional culture. Her favourite pass time is playing basketball and softball and watching the local boys play football. She also likes going to the disco run by the Yuendumu youth program. She still occasionally goes hunting with her grandmother, and loves trips into Alice Springs for shopping.