Maria Nampijinpa Brown, Ngapa Jukurrpa - Mikanji, 91x91cm
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Community Certified Artwork
This original artwork is sold on behalf of Warlukurlangu Artists, a community-run art centre. It includes their Certificate of Authenticity.
– Original 1/1
- Details
- Artwork
- Artist
- Aboriginal Artist - Maria Nampijinpa Brown
- Community - Yuendumu
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 818/25
- Materials - Acrylic on linen
- Size(cm) - H91 W91 D2
- Postage variants - Artwork is posted un-stretched and rolled for safe shipping
- Orientation - Painted from all sides and OK to hang as wished
The country associated with this 'ngapa Jukurrpa' (water Dreaming) is Mikanji, a watercourse west of Yuendumu that is usually dry. There are ‘mulju’ (soakages) in this creek bed. The 'kirda' (owners) of this Dreaming site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Mikanji is an important water Dreaming site, and features in at least three different water Dreaming tracks.
In one story, the water Dreaming travelled from Puyurru, northwest of Yuendumu, to a ‘mulju’ (soakage) in the Mikanji creek. It unleashed a huge storm there. Two old blind women of the Nampijinpa skin group were sitting by the side of the soakages. As the two women strained their eyes to see the sky, tears formed in their eyes, creating the rain. Their spirits can still be seen at Mikanji in the form of two ‘ngapiri’ (river red gums) growing near the soakage.
A second water Dreaming track that passes through Mikanji is also owned by the Nangala/Jangala and Nampijinpa/Jampijinpa subsections, and travels further west. At Mikanji, the storm rained so hard it created a hole in the ground which became a soakage. At Mirawarri a ‘kirrkarlanji’ (brown falcon [Falco berigora]) picked up the storm and carried it on its wings to the west until it became too heavy for it. The falcon eventually dropped the storm at Pirlinyarnu (Mt. Farewell) about 165 km west of Yuendumu, where it formed an enormous ‘maluri’ (claypan). A ‘mulju’ (soakage) exists in this place today.
A third Dreaming track that passes through Mikanji is the story of the water Dreaming and ‘pamapardu Jukurrpa’ (termite Dreaming). This Dreaming travels further north. This water Dreaming is owned by Nakamarra/Napurrurla women and Jakamarra/Jupurrurla men. The termite and water Dreamings travelled together from Warntungurru in the east past Warlura (a waterhole 8 miles east of Yuendumu), Wirnpa, Kanaralji, Ngamangama, and Jukajuka. A portion of this Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The termite Dreaming moved on to the west to Nyirrpi, a community approximately 160 km west of Yuendumu, whereas the water Dreaming travelled on to Mikanji. A ‘kirrkarlanji’ (brown falcon) eventually picked up the water and tied it to its head using hairstring. The falcon travelled north with the water Dreaming; at Puyurru, it flew under a tree and the water fell off of its head, forming a soakage there. The Dreaming then travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river beds.
Maria Nampijinpa Brown was born in 1973 in Alice Springs Hospital, the closest hospital to Yuendumu, a remote Aboriginal community, 290 km from Alice Springs in the NT of Australia. She is the daughter of Wendy Nungarrayi Brown and grand-daughter of Paddy Japaljarri Sims (Dec) one of the founding artists of Warlukurlangu Artists and Bessie Nakamarra Sims (Dec), a successful artist in her own right. When she was little she would watch her mother and her grandparents paint and listen to their stories. She is widowed, lives in Yuendumu and has two daughters, Antoinette Napanangka Brown who also paints with the art centre and Alicka Napanangka Brown. Maria has been painting with the Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre, since 1995. She paints her parents and her grandparents Jukurrpa stories, stories that have been passed down through the generations for millennia. These stories relate to the artists traditional country northwest of Nyirirpi, a settlement 160 kms west of Yuendumu. Maria uses traditional iconography, while developing a modern individualistic style to depict her traditional Jukurrpa. When Maria is not painting she likes to tell stories to her grandchildren, hunt for honey ants when it is raining, and collect firewood for cooking kangaroo tails.
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