Marshall Jangala Robertson, Watiya-warnu Jukurrpa (Seed Dreaming), 122x91cm
Original Work of Art (1/1) — they all are!
Certified by Community Art Centre
Fast & Free Delivery
120 Day Returns
Authenticity Guarantee
Colour Correct Images
1520+ Reviews
- Details
- Artwork
- Artist
- Aboriginal Artist - Marshall Jangala Robertson
- Community - Yuendumu
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Art centre catalogue number - 4253/21
- Materials - Acrylic on linen
- Size(cm) - H122 W91 D2
- Postage variants - Artwork is posted un-stretched and rolled for safe shipping
- Orientation - Painted from all sides and OK to hang as wished
This painting tells the story of a Jangala ‘watiya-warnu’ (Acacia tenuissima) ancestor who travelled south from a small hill called Ngurlupurranyangu to Yamunturrngu (Mount Liebig). As he travelled he picked the ‘watiya-warnu’ seeds and placed them in ‘parrajas’ (food carriers), one of which he carried on his head. Watiya-warnu is a seed bearing tree that grows in open spinifex or mulga country. When people returned to their camp after collecting the seeds they would make large windbreaks for shelter and winnow the seed in the late afternoon. Immature ‘watiya-warnu’ seed is ground into a paste and can be used to treat upset stomachs. The associated ‘watiya-warnu’ ceremony involves the preparation of a large ground painting. This Jukurrpa belongs to Nampijinpa/Nangala women and Jampijinpa/Jangala men. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. In paintings of this Dreaming ‘U’ shapes are often depicting women collecting the ‘watiya-warnu’ seeds. Oval shapes represent the ‘parrajas’ where they carry the seeds and strait lines beside them frequently portrait digging sticks.
Marshall Jangala Robertson was born in 1974 in Darwin, the closest hospital to Lajamanu, an Aboriginal community in semi-arid country on the edge of the Tanami Desert, halfway between Darwin and Alice Springs. He was raised in Lajamanu with his seven sisters and attended the local Lajamanu school and later Yirara College, an Aboriginal boarding college in Alice Springs. When he left school, at the end of Year 9, he returned to Lajamanu working in a variety of trades for the CDEP. He later moved to Yuendumu, his parents’ country.
Marshall was born into a family of established artists—his Dad, Jimmy Jampijinpa Robertson was a founding member of the Waniyaka Art Centre at Lajamanu and his Mum, Denise Napangardi Tasman, was also a well-known artist. Marshall watched and painted with his family and on visits to his parents’ country would be told his Jukurrpa stories. When Marshall moved to Yuendumu in 2010 he began painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, a remote Aboriginal community, 290 kms north-west of Alice Springs. Although he lives in Adelaide he visits often. He paints his Grandfather’s and Dad’s Jukurrpa: Ngapa Jukurrpa (Water Dreaming); Watiya-Warna Jukurrpa (Seed Dreaming) and Warna Jukurrpa (Snake Dreaming). Dreamings which relate directly to his land, its features and the plants and animals that inhabit it. He began using traditional iconography but has developed an individualistic style using pattern in a variety of contexts to depict his traditional Jukurrpa. He enjoys painting because it links him to his country and his culture.
Marshall is married to Justinna Napaljarri Sims and between them they have two girls and two boys. When Marshall is not painting, he enjoys going bush, hunting for goannas or travelling to Adelaide with his family, catching up with relatives and friends.
Unique and Original Aboriginal Art in the United States
Life is better with art, and this beautiful, original piece will be a conversation starter for years to come. Delivered to the USA in around a week, your new artwork will arrive exactly as you see it online—lovingly packed and accompanied by a certificate of authenticity from the community-based, not-for-profit art centre. With colour-accurate images and seamless service, we guarantee that your artwork will arrive promptly and as expected. Enjoy fast, free delivery and 120-day returns, and rest easy knowing you've made an ethical purchase.
*For international orders under $500 AUD, a $30 AUD postage fee applies; otherwise, shipping is free
United States Deliveries and Customs
Fortunately, unlike in most parts of the world, original artworks delivered to the USA are exempt from import duties. This means no additional fees and no lengthy customs delays.
Authenticity Documents
While certificates of authenticity are common, only those from community-based Aboriginal art centres provide assurance of ethical sourcing and documentation. Certificates issued by non-community galleries do not reflect ethical practices, so it's essential to check the origin.
At ART ARK®, every artwork includes a certificate of authenticity issued by the community-run art centre where it was created. Learn more about Aboriginal Art Authenticity.
Framing Aboriginal Art
We deliver artworks exactly as they arrive from the art centres, ensuring transparent pricing with no additional costs. Prices are based on what each centre sets, and we include free postage.
Our canvas and linen paintings are sent rolled for easy re-stretching at your local framer. Bark paintings and smaller works in our Stretched Desert Paintings collection arrive ready to hang. Watercolours should be framed behind glass, whether in a custom or pre-made frame. Learn more about Framing Aboriginal Art.
Customer Testimonials
Our customers consistently praise our fast deliveries, the accuracy of our images, and our ethical business model.
Please read our Customer Reviews to learn more.