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This is a landscape of Rutjipma (Mt Sonder), in the Northern Territory of Australia.
Mervyn was born at the Telegraph Station in Alice Springs. His mother Cynthia (Kamara) Obitja was a Western Aranda woman. His father was the late Mr Wenten Rubuntja Pengarte a famous painter.
His father was an important role model for Mervyn. He was a senior lawman and a respected member of his community. He fought for Aboriginal rights and protection of the land working alongside the Central Land Council and assisted in the Mabo agreement.
Mervyn has followed in his father’s footsteps painting in the watercolour style that his father taught him. When Mervyn was 13 years old his family moved to Hermannsburg this is where he first saw watercolour paintings as he watched his uncles Maurice, Oscar and Keith Namatjira painting like their father Albert. Arnulf Ebatarinja another uncle kindled Mervyn’s painting talent when he gave him some watercolour paperboard and taught him to paint.
Mervyn’s family moved back to Alice Springs in 1975 and he began to paint with Basil Rantji who taught him how to mix colours.
In 2006 Mervyn was invited to submit a painting for the “Mornington Peninsular Works on Paper” Exhibition. In 2013 he was invited to participate at the seminar “Presences in the Art of Rex Battarbee and Albert Namatjira” at the State Library of NSW. In the 2021 NATSIAA Awards Mervyn Rubuntja and Hubert Pareroultja won the Wandjuk Marika 3D Memorial Award for their work Through the Veil of Time.
Iltja Ntjarra / Many Hands Art Centre is proudly Aboriginal owned and directed. It is the home of the Namatjira watercolour artists. The Art Centre was established by Ngurratjuta/Pmara Ntjarra Aboriginal Corporation and started operating in 2004, as a not-for-profit Art Centre to provide a place for Arrernte Artists to come together to paint, share and learn new techniques and ideas. The Art Centre is strongly committed to improving economic participation of Aboriginal people and maintaining cultural heritage.
Iltja Ntjarra has a special focus on supporting the ‘Hermannsburg School’ style watercolour artists, who continue to paint in the tradition of their grandfather and relative, Albert Namatjira, arguably one of Australia’s most famous artists of the 20th century. Albert Namatjira taught his children to follow in his unique style, who have since passed this knowledge on to their children, which has resonated in a legacy of watercolour artists in the Central Desert region. By continuing his legacy, these artists sustain an important piece of living history.
Iltja Ntjarra is proud of its ethical work practices and aims to return the greatest possible percentage of sales to the artist.
In June 2016, Iltja Ntjarra Aboriginal Corporation (ICN 8426) was newly incorporated by the Arrernte Artists associated with the Art Centre and in August 2016, the Ngurratjuta/Pmara Ntjarra Aboriginal Corporation transferred the not-for-profit Art Centre business to Iltja Ntjarra Aboriginal Corporation.
Iltja Ntjarra acknowledges the role of Ngurratjuta/Pmara Ntjarra Aboriginal Corporation to the establishment and development of the Art Centre and thanks it for its ongoing support.
The things that are most important to us are:
Test courtesy, Iltja Ntjarra / Many Hands Art Centre
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While certificates of authenticity are common, only those from community-based Aboriginal art centres provide assurance of ethical sourcing and documentation. Certificates issued by non-community galleries do not reflect ethical practices, so it's essential to check the origin.
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Our canvas and linen paintings are sent rolled for easy re-stretching at your local framer. Bark paintings and smaller works in our Stretched Desert Paintings collection arrive ready to hang. Watercolours should be framed behind glass, whether in a custom or pre-made frame. Learn more about Framing Aboriginal Art.
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