Rosie Nangala Flemming, Ngapa Jukurrpa - Mikanji 30x30cm

• Artist - Rosie Nangala Flemming
• Community - Yuendumu
• Art Centre/Community organisation - Warlukurlangu Artists Aboriginal Corporation
• Catalog number - 1088-15
• Materials - Acrylic on canvas
• Size(cm) - H30 W30 D3.5
• Postage variants - Artwork posted stretched and ready to hang.

The country associated with this 'ngapa Jukurrpa' (water Dreaming) is Mikanji, a watercourse west of Yuendumu that is usually dry. There are ‘mulju’ (soakages) in this creek bed. The 'kirda' (owners) of this Dreaming site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Mikanji is an important water Dreaming site, and features in at least three different water Dreaming tracks.

In one story, the water Dreaming travelled from Puyurru, northwest of Yuendumu, to a ‘mulju’ (soakage) in the Mikanji creek. It unleashed a huge storm there. Two old blind women of the Nampijinpa skin group were sitting by the side of the soakages. As the two women strained their eyes to see the sky, tears formed in their eyes, creating the rain. Their spirits can still be seen at Mikanji in the form of two ‘ngapiri’ (river red gums) growing near the soakage.

A second water Dreaming track that passes through Mikanji is also owned by the Nangala/Jangala and Nampijinpa/Jampijinpa subsections, and travels further west. At Mikanji, the storm rained so hard it created a hole in the ground which became a soakage. At Mirawarri a ‘kirrkarlanji’ (brown falcon [Falco berigora]) picked up the storm and carried it on its wings to the west until it became too heavy for it. The falcon eventually dropped the storm at Pirlinyarnu (Mt. Farewell) about 165 km west of Yuendumu, where it formed an enormous ‘maluri’ (claypan). A ‘mulju’ (soakage) exists in this place today.

A third Dreaming track that passes through Mikanji is the story of the water Dreaming and ‘pamapardu Jukurrpa’ (termite Dreaming). This Dreaming travels further north. This water Dreaming is owned by Nakamarra/Napurrurla women and Jakamarra/Jupurrurla men. The termite and water Dreamings travelled together from Warntungurru in the east past Warlura (a waterhole 8 miles east of Yuendumu), Wirnpa, Kanaralji, Ngamangama, and Jukajuka. A portion of this Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The termite Dreaming moved on to the west to Nyirrpi, a community approximately 160 km west of Yuendumu, whereas the water Dreaming travelled on to Mikanji. A ‘kirrkarlanji’ (brown falcon) eventually picked up the water and tied it to its head using hairstring. The falcon travelled north with the water Dreaming; at Puyurru, it flew under a tree and the water fell off of its head, forming a soakage there. The Dreaming then travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.

In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river beds.

Rosie Nangala Fleming was born around 1928, at the time when many Warlpiri and other Central and Western Desert Peoples were living a traditional nomadic life. With her family she travelled around the country in the traditional way, visiting sacred sites and learning about her ancestors, her creation stories and her country. She and her late husband came from their ancestral country to live in Yuendumu when it began as a settlement sometime in the late 1940's. As a young woman, Rosie Nangala began working for Mrs Fleming, a Baptist missionary who assisted her in establishing a Warlpiri Women's museum at Yuendumu in the late 1970's, as a keeping place for ceremonial objects and a centre for women to meet. Rosie became president of the museum and administered it for many years. Rosie Nangala made artifacts, seed necklaces and mats for a number of years and when Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre, was established in 1985, Rosie was one of the first women to paint with acrylic on canvas. She paints her mother’s and her father’s Jukurrpa stories, stories which relate directly to her land, its features and animals. These stories were passed down to her by her father and mother and their parents before them for millennia. Her Dreamings are ngapa (water) from her mother’s side; and warlukurlangu (fire) and Yankirri (emu) from her father’s side. Every week day Rosie comes to the art centre, sits with her friends and paints. She still likes to go hunting when she can.

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