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![Aboriginal Art by Rosie Nangala Flemming, Ngapa Jukurrpa - Puyurru 30x30cm - ART ARK®](http://artark.com.au/cdn/shop/products/RosieNangalaFlemming_a6dfe75d-e32b-4031-b599-4c8004fc4dcf_800x1024.png?v=1575289862)
Rosie Nangala Flemming, Ngapa Jukurrpa - Puyurru 30x30cm
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- Artist - Rosie Nangala Flemming
- Community - Yuendumu
- Art Centre/Community organisation - Warlukurlangu Artists Aboriginal Corporation
- Catalog number - 5706-15
- Materials - Acrylic on pre-stretched canvas
- Size(cm) - H30 W30 D3.5
- Postage variants - Artwork posted stretched
The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are water soakages or naturally occurring wells. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. It travelled across the country, with the lightning striking the land. This storm met up with another storm from Wapurtali, to the west, was picked up by a ‘kirrkarlan’ (brown falcon [Falco berigora]) and carried further west until it dropped the storm at Purlungyanu, where it created a giant soakage. At Puyurru the bird dug up a giant snake, ‘warnayarra’ (the ‘rainbow serpent’) and the snake carried water to create the large lake, Jillyiumpa, close to an outstation in this country. This story belongs to Jangala men and Nangala women. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. In many paintings of this Jukurrpa curved and straight lines represent the ‘ngawarra’ (flood waters) running through the landscape. Motifs frequently used to depict this story include small circles representing ‘mulju’ (water soakages) and short bars depicting ‘mangkurdu’ (cumulus & stratocumulus clouds).
Rosie Nangala Fleming was born around 1928, at the time when many Warlpiri and other Central and Western Desert Peoples were living a traditional nomadic life. With her family she travelled around the country in the traditional way, visiting sacred sites and learning about her ancestors, her creation stories and her country. She and her late husband came from their ancestral country to live in Yuendumu when it began as a settlement sometime in the late 1940's. As a young woman, Rosie Nangala began working for Mrs Fleming, a Baptist missionary who assisted her in establishing a Warlpiri Women's museum at Yuendumu in the late 1970's, as a keeping place for ceremonial objects and a centre for women to meet. Rosie became president of the museum and administered it for many years. Rosie Nangala made artifacts, seed necklaces and mats for a number of years and when Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre, was established in 1985, Rosie was one of the first women to paint with acrylic on canvas. She paints her mother’s and her father’s Jukurrpa stories, stories which relate directly to her land, its features and animals. These stories were passed down to her by her father and mother and their parents before them for millennia. Her Dreamings are ngapa (water) from her mother’s side; and warlukurlangu (fire) and Yankirri (emu) from her father’s side. Every week day Rosie comes to the art centre, sits with her friends and paints. She still likes to go hunting when she can.
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