Simone Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Puyurru, 30x30cm
Original Work of Art (they all are!)
Certified by Community Art Centre
Fast & Free Delivery
120 Day Returns
Authenticity Guarantee
Colour Correct Images
1510+ Reviews
- Details
- Artwork
- Artist
- Artist - Simone Nampijinpa Brown
- Community - Yuendumu
- Art Centre/Community organisation - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 1400/17ny
- Materials - Acrylic on pre-stretched canvas
- Size(cm) - H30 W30 D3.5
- Postage variants - This work is posted pre-stretched and ready to hang
- Orientation - Painted from all sides and OK to hang as wished
The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakages), or naturally occurring wells. The 'kirda' (owners) for this site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Two Jangala men, rainmakers, sang the rain, unleashing a giant storm. The storm travelled across the country from the east to the west, initially travelling with a ‘pamapardu Jukurrpa’ (termite Dreaming) from Warntungurru to Warlura, a waterhole 8 miles east of Yuendumu. At Warlura, a gecko called Yumariyumari blew the storm on to Lapurrukurra and Wilpiri. Bolts of lightning shot out at Wirnpa (also called Mardinymardinypa) and at Kanaralji. At this point the Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The water Dreaming built hills at Ngamangama using baby clouds and also stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations.
The termite Dreaming eventually continued west to Nyirripi, a community approximately 160 km west of Yuendumu. The water Dreaming then travelled from the south over Mikanji, a watercourse with soakages northwest of Yuendumu. At Mikanji, the storm was picked up by a ‘kirrkarlanji’ (brown falcon [Falco berigora]) and taken farther north. At Puyurru, the falcon dug up a giant ‘warnayarra’ (rainbow serpent). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country. The ‘kirda’ (owners) of this story are Jangala men and Nangala women. After stopping at Puyurru, the water Dreaming travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming). Short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river bed.
Simone Nampijinpa Brown was born in Nyirripi, a remote Aboriginal community, approximately 440 km north-west of Alice Springs. Simone is the grand-daughter of Jeanie Napangardi Lewis, an artist who regularly paints with Warlukurlangu Artists. Simone’s interest in painting comes from her grandmother and from watching her grandmother’s husband, Mickey Jampijinpa Singleton, paint. Mickey is also a well-known artist who paints for Warlukurlangu Artists. Simone attends the local school in Nyirripi but already shows an interest in painting her Jukurrpa stories, Dreamings which are handed down through her family and which relate directly to her land, its features and the plants and animals that inhabit it. These stories have been passed down through generations for millennia. From her grand-mother she paints Karnta Jukurrpa (Women’s Dreaming), dreamings about Mina Mina, country sacred to Napangardi and Napanangka women. Simone has recently begun to paint (2012) for Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu. Warlukurlangu Art Centre provides an outlet for Warlpiri artists to paint their cultural heritage and earn income from their work. This service is extended to Nyirripi artists, on a weekly basis, by delivering canvas and paint to artists and picking up finished artwork in Nyirripi. When Simone is not attending school or painting with her grand-mother she likes to play sport, particularly softball, listen to music and hunt with her family for kangaroo.
Unique and Original Aboriginal Art in the United States
Life is better with art, and this beautiful, original piece will be a conversation starter for years to come. Delivered to the USA in around a week, your new artwork will arrive exactly as you see it online—lovingly packed and accompanied by a certificate of authenticity from the community-based, not-for-profit art centre. With colour-accurate images and seamless service, we guarantee that your artwork will arrive promptly and as expected. Enjoy fast, free delivery and 120-day returns, and rest easy knowing you've made an ethical purchase.
*For international orders under $500 AUD, a $30 AUD postage fee applies; otherwise, shipping is free
United States Deliveries and Customs
Fortunately, unlike in most parts of the world, original artworks delivered to the USA are exempt from import duties. This means no additional fees and no lengthy customs delays.
Authenticity Documents
While certificates of authenticity are common, only those from community-based Aboriginal art centres provide assurance of ethical sourcing and documentation. Certificates issued by non-community galleries do not reflect ethical practices, so it's essential to check the origin.
At ART ARK®, every artwork includes a certificate of authenticity issued by the community-run art centre where it was created. Learn more about Aboriginal Art Authenticity.
Framing Aboriginal Art
We deliver artworks exactly as they arrive from the art centres, ensuring transparent pricing with no additional costs. Prices are based on what each centre sets, and we include free postage.
Our canvas and linen paintings are sent rolled for easy re-stretching at your local framer. Bark paintings and smaller works in our Stretched Desert Paintings collection arrive ready to hang. Watercolours should be framed behind glass, whether in a custom or pre-made frame. Learn more about Framing Aboriginal Art.
Customer Testimonials
Our customers consistently praise our fast deliveries, the accuracy of our images, and our ethical business model.
Please read our Customer Reviews to learn more.