Tanya Nungarrayi Collins, Watiya-warnu Jukurrpa (Seed Dreaming), 107x46cm

• Aboriginal Artist - Tanya Nungarrayi Collins
• Community - Yuendumu
• Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
• Catalogue number - 4953/23
• Materials - Acrylic on linen
• Size(cm) - H107 W46 D2 
• Postage variants - Artwork is posted un-stretched and rolled for safe shipping
• Orientation - Painted from all sides and OK to hang as wished

This painting tells the story of a Jangala ‘watiya-warnu’ (Acacia tenuissima) ancestor who travelled south from a small hill called Ngurlupurranyangu to Yamunturrngu (Mount Liebig). As he travelled he picked the ‘watiya-warnu’ seeds and placed them in ‘parrajas’ (food carriers), one of which he carried on his head. Watiya-warnu is a seed bearing tree that grows in open spinifex or mulga country. When people returned to their camp after collecting the seeds they would make large windbreaks for shelter and winnow the seed in the late afternoon. Immature ‘watiya-warnu’ seed is ground into a paste and can be used to treat upset stomachs. The associated ‘watiya-warnu’ ceremony involves the preparation of a large ground painting. This Jukurrpa belongs to Nampijinpa/Nangala women and Jampijinpa/Jangala men. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. In paintings of this Dreaming ‘U’ shapes are often depicting women collecting the ‘watiya-warnu’ seeds. Oval shapes represent the ‘parrajas’ where they carry the seeds and strait lines beside them frequently portrait digging sticks.

Tanya Nungarrayi Collins was born on 11 November 1975 in Yuendumu, a remote Aboriginal community 290 km northwest of Alice Springs in the NT. She has one sister, Nancy, and one brother, Alan. Her grandparents lived in Mount Doreen, but moved to the Yuendumu community where her parents grew up. She is married to Steven Marshall, and has one son, Winston Japangardi.

Tanya attended Yirara College in Alice Springs, NT. She enjoyed doing reading and maths in college. After school, she worked for a number of different organizations in Yuendumu. These included the child care centre, the Yuendumu school kitchen, and as a School Attendance Officer (''yellow shirt''). When she is not painting, Tanya likes to hunt for kangaroo, perentie, witchetty grubs, and honey ants.

Tanya started painting a long time ago with her mother, who has since passed away. She painted 'ngurlu Jukurrpa' (seed Dreaming) with her mother. Today Tanya paints 'watiyawarnu Jukurrpa' (seed Dreaming). Her other Dreamings include 'marlu Jukurrpa' (kangaroo Dreaming) and 'witi Jukurrpa' (ceremonial pole Dreaming). Both of these Dreamings are located at Jila (Chilla Well), a claypan to the west of Yuendumu. These Dreamings were passed on to Tanya from her father.

All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation.

We take great pride in offering high-quality, authentic Aboriginal Art pieces to you and in addition to our 120-day returns(they don't come back), we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present.

This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork ever sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that you are getting what you expect.

We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If at any time you have any concerns whatsoever about the authenticity of any art piece, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork sold by us we will promptly provide a full refund to you at any time in the future, be it in one year, or in ten!

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All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.

Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.

The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.

A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.

Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art