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  • Aboriginal Artwork by Yikartu Bumba, Jupurrl, 91x61cm
  • Aboriginal Artwork by Yikartu Bumba, Jupurrl, 91x61cm
  • Aboriginal Artwork by Yikartu Bumba, Jupurrl, 91x61cm
  • Aboriginal Artwork by Yikartu Bumba, Jupurrl, 91x61cm
  • Aboriginal Artwork by Yikartu Bumba, Jupurrl, 91x61cm

Yikartu Bumba, Jupurrl, 91x61cm

Arrives in the US in about a week. No duties, no tax.
Martumili Artists Certificate of Authenticity

Community Certified Artwork

This original artwork is sold on behalf of Martumili Artists, a community-run art centre. It includes their Certificate of Authenticity.

  • Aboriginal Artists - Yikartu Bumba
  • Community - Punmu
  • Aboriginal Art Centre - Martumili Artists
  • Catalogue number - 24-994
  • Materials - Acrylic paint on canvas
  • Size(cm) - H91 W61 D2
  • Postage variants - Artwork posted un-stretched and rolled for safe shipping
  • Orientation - Painted from all sides and OK to hang as wished
  • Artwork note - Richly painted, resulting in a highly textured surface

“This one a yinta (permanent springs) in my ngurra (home Country, camp), Jupurrl. It's kakarra (east) of Kulyakartu and kayili (north) side of Wirnpa. I was a married woman when I was walking around this place, pujiman (traditional, desert dwelling) me. I married a good man. There’s lots of kapi (water) there. Lots of yukari (green grass, vegetation). Plenty of bushtucker, pussycat and goanna. There’s no kapi when you first get there, but you dig him up and then there’s lots of kapi. We’ve got to take all the kids to that ngurra. Show them my daddy’s ngurra. There’s another waterhole, not far from there called Jakapinka. A jila (snake) made that kapi. It’s my brother’s Country.” — Yikartu Bumba

During the pujiman (traditional, desert dwelling) days, Yikartu and her family travelled extensively through this Country. At this time Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. Knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known by name, location, quality and seasonal availability through real life experience and the recounting of Jukurrpa (Dreaming) narratives.

“When I was a little girl, my father and mother took me around [Yulparija Country, north of Manyjilyjarra Country]. We used to walk around when I was a little girl. We travelled with my grandmother and all the family, we travelled with my sisters and brothers. We went from place to place, stopping in one place, hunting around and stopping in another place. We visited all the yinta (permanent springs). We could even travel on the water from a soak. I used to stay at the camp, waiting by the water, while my parents and grandparents would go out to get a lot of meat and other food. The little kids would stay home and hunt for small lizards. Then we would all travel together to another place. My grandparents really loved and cared for me when I was a little girl. They took good care of me. I was growing bigger at that time. When I grew bigger, I was able to go hunting on my own. I hunted cats and goannas. My parents still went hunting for meat for us all then.

[Later] I lost my mother and my grandmother, and then my father left us and walked into a station, but my other grandmother kept looking after me. I was still travelling with my mother’s mother when I got married [became second wife to the father of Yuwali Janice Nixon (dec.)] and had my daughter, Barli. When I was travelling with my husband and all the family we went south to Wirnpa and Kurturrara. We stayed around there for a time and then went northeast, on the tableland. During the wet season we would travel out from the yinta (permanent springs) across the tableland. I would travel with Yuwali’s mother [the first wife of Yikartu’s husband]. We would walk together, hunting as we went.

During a rainy season we were staying in one place for a while and we had a visitor from Bidyadanga. There was one missionary [Father McKelson] and two Martu men travelling with him. They asked us who we were and wrote it down on a piece of paper. Then he told us to sit down and wait for them to come back with a vehicle. From there we went into the mission.”

— Yikartu Bumba, as translated by Ngalangka Nola Taylor

Yikartu is a Manyjilyjarra woman born in the 1940s at Lalyipuka, north of Wirnpa and in Juwaliny Country. Her ngurra (home Country, camp) lies at the northern boundary of Martu Country, around the Percival Lakes region and further northward. She lived a pujiman (traditional, desert dwelling) lifestyle until she was married and had a child, at which point the group she was travelling with first encountered a vehicle. Two Martu men and a missionary had travelled from the La Grange mission at Bidyadanga to look for people still living in the desert. They gave Yikartu and her family food and fruit, and later returned to pick up Yikartu and everyone she was travelling with. Her family group was one of the last to leave the desert.

At Bidyadanga Yikartu met up with a close uncle of hers and many other Martu, Juwaliny and Mangala people. She lived in both Bidyadanga and Jigalong for a period, during which she had three more daughters. During the 1980s ‘Return to Country’ movement Yikartu relocated to Punmu Aboriginal community to be closer to her home ngurra.

Yikartu often paints her husband's Country, close to Wirnpa, but also paints her mother’s, father’s and all her grandparents’ Country around Lungkurangu, north of the Great Sandy Desert. Yikartu paints the jila (living water, snake) water sources running from Yulpu to Yimiri, Kupankurlu, Kurturrara and Wirnpa. Yikartu’s work has been exhibited widely across Australia and internationally, and her collaborative works acquired by the National Museum of Australia and the National Gallery of Australia.

Martumili Artists was established in late 2006 and supports Martu artists in Kunawarritji, Punmu, Parnngurr, Jigalong, Warralong, Irrungadji (Nullagine), and Parnpajinya (Newman). Many Martu artists have close relationships with established artists amongst Yulparija, Kukatja, and other Western Desert peoples and are now gaining recognition in their own right for their diverse, energetic, and unmediated painting styles. Their works reflect the dramatic geography and scale of their homelands in the Great Sandy Desert and Rudall River regions of Western Australia. Martumili Artists represents speakers of Manyjilyjarra, Warnman, Kartujarra, Putijarra, and Martu Wangka languages, many of whom experienced first contact with Europeans in the 1960s. The artists include painters working in acrylics and oils, as well as weavers coiling baskets and sculptors working in wood, grass, and wool. Martu artists proudly maintain their creative practices whilst pursuing social and cultural obligations across the Martu.

Martu Art from the Western Desert

Martu Art from the Western Desert

This artwork comes from Martumili Artists, based in Newman in Western Australia and representing Martu artists living across remote desert communities. Martu Country covers more than 150,000 square kilometres of the Western Desert, including the Great Sandy, Little Sandy and Gibson Deserts, an expansive landscape punctuated by salt lakes and claypans.

— Image: Punu community on Nyayartakujarra (Lake Dora), Great Sandy Desert

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