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Alison Pantjiti Napurrula Multa, Kungkaku Puturru - Women's Hairstring Dreaming, 122x101.5cm
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  • Aboriginal Art by Alison Pantjiti Napurrula Multa, Kungkaku Puturru - Women's Hairstring Dreaming, 122x101.5cm - ART ARK®
  • Aboriginal Art by Alison Pantjiti Napurrula Multa, Kungkaku Puturru - Women's Hairstring Dreaming, 122x101.5cm - ART ARK®
  • Aboriginal Art by Alison Pantjiti Napurrula Multa, Kungkaku Puturru - Women's Hairstring Dreaming, 122x101.5cm - ART ARK®
  • Aboriginal Art by Alison Pantjiti Napurrula Multa, Kungkaku Puturru - Women's Hairstring Dreaming, 122x101.5cm - ART ARK®
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Aboriginal Art by Alison Pantjiti Napurrula Multa, Kungkaku Puturru - Women's Hairstring Dreaming, 122x101.5cm - ART ARK®
Aboriginal Art by Alison Pantjiti Napurrula Multa, Kungkaku Puturru - Women's Hairstring Dreaming, 122x101.5cm - ART ARK®
Aboriginal Art by Alison Pantjiti Napurrula Multa, Kungkaku Puturru - Women's Hairstring Dreaming, 122x101.5cm - ART ARK®
Aboriginal Art by Alison Pantjiti Napurrula Multa, Kungkaku Puturru - Women's Hairstring Dreaming, 122x101.5cm - ART ARK®

Alison Pantjiti Napurrula Multa, Kungkaku Puturru - Women's Hairstring Dreaming, 122x101.5cm

£1,463.00

Original Work of Art (1/1) — they all are!

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  • Aboriginal Artist - Alison Pantjiti Napurrula Multa
  • Community - Ikuntji (Haasts Bluff) 
  • Aboriginal Art Centre - Ikuntji Artists
  • Catalogue number - 21-AM189
  • Materials - Acrylic on linen  
  • Size(cm) - H122 W101.5 D2  
  • Postage variants - Artwork posted un-stretched and rolled for safe shipping
  • Orientation - As displayed

This painting shows kungkaku puturru – the hairstring women make from their own hair for ceremony. In the older days, women used to cut their own hair and create this string by spinning the hair on their thighs. The hairstring was used for dancing, ceremony and domestic purposes. Kungkaku puturru is connected to the Tjukurrpa place Kungkayunti (Brown’s Bore). Kungkayunti is the place where the ancestral women, who travelled from Ntaria (Hermannsburg) to the west of Kintore, stopped and danced. Kungkayunti means women dancing.

Details currently unavailable

A lot of stories are still being recounted of long journeys of people from various language groups, who travelled from rockholes and waterholes to caves and mountains finally arriving at Haasts Bluff. The locals, Luritja people of Haasts Bluff, were already here. Thus Haasts Bluff is a community rich of diversity in language and culture.

Ikuntji Artists was first established in 1992, after a series of workshops with Melbourne artist Marina Strocchi, and under the influence of the then community president, the late Esther Jugadai. The art centre was initially set up to fulfil the role of women’s centre providing services such as catering for old people and children in the community. After first experiences made in printing T-shirts, the artists began producing acrylic paintings on linen and handmade paper, which quickly gained the attention of the Australian and international art world as well as earning the centre an impressive reputation for fine art. The focus changed from a women’s centre to an art centre in 2005 with the incorporation of the art centre as Ikuntji Artists Aboriginal Corporation.

The artists draw their inspiration from their personal ngurra (country) and Tjukurrpa (Dreaming). They interpret the ancestral stories by using traditional symbols, icons and motifs. The artistic repertoire of Ikuntji Artists is diverse and includes for example: naive as well as highly abstract paintings told by each artist in their personal signature style. Throughout the 21 years of its existence the art movement in Ikuntji has flourished and constantly left its mark in the fine art world. At the same time the art centre has been the cultural hub of the community, maintaining, reinforcing and reinvigorating cultural practices through art-making.

Today Ikuntji Artists has eight key artists, who exhibit in Australia and internationally. They are represented in major collections across the globe.

Text: Melanie Greiner, Alison Multa and Dr Chrischona Schmidt

We take great pride in offering high-quality, authentic Aboriginal Art pieces to you. However, we are aware that there have been instances (and recent press relating to the unaffiliated APYACC) in the Aboriginal Art market where the authenticity of some artworks has been called into question. We want to assure you and all of our customers that we firmly stand behind the authenticity of every artwork we sell.

In addition to our extended 120 days standard returns, we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present. This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that they are getting what you paid for.

As part of our commitment to authentic Aboriginal Art, we work with reputable Aboriginal Art centres that we know are committed to maintaining the integrity of Aboriginal Art. Additionally, we continually monitor all aspects of the Aboriginal Art market and are acutely aware of, and are proactive in addressing any issues arising.

We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If you have any concerns about the authenticity of any art piece you purchased from us, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork we have sold we will happily provide a full refund to you at any time in the future outside of our standard returns policy. 

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