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Balang David Brian, Man-ngalinj (bush potato), 103x49cm Bark
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  • Aboriginal Art by Balang David Brian, Man-ngalinj (bush potato), 103x49cm Bark - ART ARK®
  • Aboriginal Art by Balang David Brian, Man-ngalinj (bush potato), 103x49cm Bark - ART ARK®
  • Aboriginal Art by Balang David Brian, Man-ngalinj (bush potato), 103x49cm Bark - ART ARK®
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Aboriginal Art by Balang David Brian, Man-ngalinj (bush potato), 103x49cm Bark - ART ARK®
Aboriginal Art by Balang David Brian, Man-ngalinj (bush potato), 103x49cm Bark - ART ARK®
Aboriginal Art by Balang David Brian, Man-ngalinj (bush potato), 103x49cm Bark - ART ARK®

Balang David Brian, Man-ngalinj (bush potato), 103x49cm Bark

£744.00

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  • Aboriginal Artist - Balang David Brian
  • Community - Maningrida
  • Homeland - Ankabarrbirri
  • Aboriginal Art Centre - Maningrdia Arts
  • Catalogue number - 418-22
  • Materials - Earth pigments on stringybark
  • Size(cm) - H103 W49 D2 (irregular)
  • Orientation - As displayed
  • Postage variant - Delivered ready to hang off bracing sticks

Man-ngalinj is a root vegetable often described as ‘bush potato’. It’s duwa, the artist’s moiety. It has a bulbous root and a long thin vine with small flowers that grows across the ground or up the trunks of nearby trees. Large crops can be found near the artist’s outstation, Bolkdjam. Man-ngalinj are harvested after the Wet season in the early Dry.

Balang David Brian is a painter and sculptor. He is Rembarrnga and Kune and lives and works at his outstation Ankabarrbirri. Brian learned under the guidance of his parents, renowned artists Kamarrang Bob Burruwal and Godjan Lena Yarinkura. He specialises in making mako (didjeridu) and more recently bark painting. Whilst Brian has developed his own approach and distinct style, the influence of his father and uncle, Les Mirrikkyriya, is evident in his colour palette and designs. Common motifs in his works include yok (bandicoot), man-ngalinj (bush potato), quicksand at Kinoedjanga, barlangu (shark) and wankurr (sacred dilly bag).

An art movement that is striking, political and enduring: this is what contemporary artists in Maningrida and the surrounding homelands have built, powered by their ancestral connections to country and djang.

Ways of learning and schools of art in Arnhem Land are based around a system of passing knowledge and information on to others. The art here has its genesis in body design, rock art and cultural practices, in concert with more than 50 years of collaborations, travel and political action to retain ownership of country. Values and law are expressed through language, imagery, manikay (song), bunggul (dance), doloppo bim (bark painting), sculptures, and kun-madj (weaving) – the arts.

The artists’ transformation of djang into contemporary artistic expression has intrigued people around the world: art curators and collectors, and stars including Yoko Ono, Jane Campion, David Attenborough and Elton John. Pablo Picasso said of Yirawala’s paintings, ‘This is what I’ve been trying to achieve all my life.’

Yirawala (c.1897–1976) was a legendary Kuninjku leader, artist, land-rights activist and teacher, and his artwork was the first of any Indigenous artist to be collected by the National Gallery of Australia as part of a policy to represent in depth the most significant figures in Australian art.

Maningrida Arts & Culture is based on Kunibídji country in Arnhem Land in Australia’s Northern Territory. The area where artists live encompasses 7,000 square kilometres of land and sea, and over 100 clan estates, where people speak more than 12 distinct languages. Aboriginal people in this region are still on country, surviving and resilient because their country is the centre of their epistemology, their belief system, culture – djang.

Artists’ works from the larger Maningrida region can be seen in collections and institutions around the world. We work with museums, contemporary galleries and high-end retailers both nationally and internationally on projects throughout the year.

Text courtesy: Maningrida Arts and Culture