Francis Marshall, Wanampi Tjukurrpa (Snake Dreaming), 75x50cm

• Aboriginal Artist - Francis Marshall
• Community - Ikuntji (Haasts Bluff)
• Aboriginal Art Centre - Ikuntji Artists
• Catalogue number - 20-FM168
• Materials - Acrylic on canvas
• Size(cm) - H75 W50 D2
• Postage variants - Artwork posted un-stretched and rolled for safe shipping
• Orientation - Painted from all sides and OK to hang as wished

"My father’s father’s Dreaming, my grandfather. We go there, Pikilily Top Springs west of Yuendumu out there. It’s still there, a scary place. The snake Dreaming my father told me about this Dreaming. You see the water hole and trees blowing big snake did put concert on my grandfathers and burried his spirit there. He is still there that’s why I paint this dreaming to call him up. My grandfathers spirit talk me, he talk me to paint when I was a little boy. My grandfather spirit come to me talk to me about this place. Pikilily Top Springs, snake dreaming, sacred place." - Francis Marshall

Francis lives in Haasts Bluff with his wife, artist Daphne Marks and their two children. He is an active member of the community and works for the council on the maintenance crew. He loves to paint his Snake Dreaming Story that was given to him by his Grandfather.

A lot of stories are still being recounted of long journeys of people from various language groups, who travelled from rockholes and waterholes to caves and mountains finally arriving at Haasts Bluff. The locals, Luritja people of Haasts Bluff, were already here. Thus Haasts Bluff is a community rich of diversity in language and culture.

Ikuntji Artists was first established in 1992, after a series of workshops with Melbourne artist Marina Strocchi, and under the influence of the then community president, the late Esther Jugadai. The art centre was initially set up to fulfil the role of women’s centre providing services such as catering for old people and children in the community. After first experiences made in printing T-shirts, the artists began producing acrylic paintings on linen and handmade paper, which quickly gained the attention of the Australian and international art world as well as earning the centre an impressive reputation for fine art. The focus changed from a women’s centre to an art centre in 2005 with the incorporation of the art centre as Ikuntji Artists Aboriginal Corporation.

The artists draw their inspiration from their personal ngurra (country) and Tjukurrpa (Dreaming). They interpret the ancestral stories by using traditional symbols, icons and motifs. The artistic repertoire of Ikuntji Artists is diverse and includes for example: naive as well as highly abstract paintings told by each artist in their personal signature style. Throughout the 21 years of its existence the art movement in Ikuntji has flourished and constantly left its mark in the fine art world. At the same time the art centre has been the cultural hub of the community, maintaining, reinforcing and reinvigorating cultural practices through art-making.

Today Ikuntji Artists has eight key artists, who exhibit in Australia and internationally. They are represented in major collections across the globe.

Text: Melanie Greiner, Alison Multa and Dr Chrischona Schmidt