Life is better with art
Jeffrey Zimran, Tjilpi Kutju Tjukurrpa, 100x40cm
Image Loading Spinner
  • Aboriginal Art by Jeffrey Zimran, Tjilpi Kutju Tjukurrpa, 100x40cm - ART ARK®
  • Aboriginal Art by Jeffrey Zimran, Tjilpi Kutju Tjukurrpa, 100x40cm - ART ARK®
  • Aboriginal Art by Jeffrey Zimran, Tjilpi Kutju Tjukurrpa, 100x40cm - ART ARK®
  • Aboriginal Art by Jeffrey Zimran, Tjilpi Kutju Tjukurrpa, 100x40cm - ART ARK®
Image Loading Spinner
Aboriginal Art by Jeffrey Zimran, Tjilpi Kutju Tjukurrpa, 100x40cm - ART ARK®
Aboriginal Art by Jeffrey Zimran, Tjilpi Kutju Tjukurrpa, 100x40cm - ART ARK®
Aboriginal Art by Jeffrey Zimran, Tjilpi Kutju Tjukurrpa, 100x40cm - ART ARK®
Aboriginal Art by Jeffrey Zimran, Tjilpi Kutju Tjukurrpa, 100x40cm - ART ARK®

Jeffrey Zimran, Tjilpi Kutju Tjukurrpa, 100x40cm

£438.00

Original Work of Art (1/1) — they all are!

Certified by Community Art Centre Fast & Free Delivery 120 Day Returns Authenticity Guarantee Colour Correct Images 1515+ Reviews

  • Aboriginal Artist - Jeffrey Zimran
  • Community - Ikuntji (Haasts Bluff) 
  • Aboriginal Art Centre - Ikuntji Artists
  • Catalogue number - 19/JZ146
  • Materials - Acrylic on linen
  • Size(cm) - H40 W100 D2  
  • Postage variants - Artwork posted un-stretched and rolled for safe shipping
  • Orientation - Painted from all sides and OK to hang as wished

This is the travelling Tjukpurrpa (dreaming) of Tjilpi Kutju (one old man). The Tjilpi is travelling from North of Illpilli outstation (West of Haasts Bluff, Northern Territory) further west towards Yumari. Yumari is a collection of rockholes west of Kintore in the Gibson Desert, Western Australia. The Tjilpi is an Ngangkari (medicine man/witch doctor). On his journey he stops at Nurapalangu. It was at Nurapalangu that he left his special powers in a cave. Since then, the cave has remained a sacred place where old men continue to visit. The Tjilpi then continued towards Yumari. When he arrived there, he met a woman who was of a different skin name, one who he was forbidden to marry. Yumari is therefore a site of forbidden love between the two. That is why Yumari is called so, it means ‘mother in law’. After Yumari the Tjilpi continues travelling west. Jeffrey depicts the talis (sandhills) that run along the line that the Tjilpi travelled through north of Kintore to Yumari.


This is the Tjukurrpa of Jeffrey’s father, and grandfather. Their country is Yumari. Jeffrey learnt this story from his grandfather, Uta Uta Tjangala who painted the same story for Papunya Tula in the early 1970’s with his brother, Minpuru Tjangala.

Details currently unavailable

A lot of stories are still being recounted of long journeys of people from various language groups, who travelled from rockholes and waterholes to caves and mountains finally arriving at Haasts Bluff. The locals, Luritja people of Haasts Bluff, were already here. Thus Haasts Bluff is a community rich of diversity in language and culture.

Ikuntji Artists was first established in 1992, after a series of workshops with Melbourne artist Marina Strocchi, and under the influence of the then community president, the late Esther Jugadai. The art centre was initially set up to fulfil the role of women’s centre providing services such as catering for old people and children in the community. After first experiences made in printing T-shirts, the artists began producing acrylic paintings on linen and handmade paper, which quickly gained the attention of the Australian and international art world as well as earning the centre an impressive reputation for fine art. The focus changed from a women’s centre to an art centre in 2005 with the incorporation of the art centre as Ikuntji Artists Aboriginal Corporation.

The artists draw their inspiration from their personal ngurra (country) and Tjukurrpa (Dreaming). They interpret the ancestral stories by using traditional symbols, icons and motifs. The artistic repertoire of Ikuntji Artists is diverse and includes for example: naive as well as highly abstract paintings told by each artist in their personal signature style. Throughout the 21 years of its existence the art movement in Ikuntji has flourished and constantly left its mark in the fine art world. At the same time the art centre has been the cultural hub of the community, maintaining, reinforcing and reinvigorating cultural practices through art-making.

Today Ikuntji Artists has eight key artists, who exhibit in Australia and internationally. They are represented in major collections across the globe.

Text: Melanie Greiner, Alison Multa and Dr Chrischona Schmidt