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Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 122x61cm
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  • Aboriginal Art by Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 122x61cm - ART ARK®
  • Aboriginal Art by Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 122x61cm - ART ARK®
  • Aboriginal Art by Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 122x61cm - ART ARK®
  • Aboriginal Art by Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 122x61cm - ART ARK®
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Aboriginal Art by Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 122x61cm - ART ARK®
Aboriginal Art by Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 122x61cm - ART ARK®
Aboriginal Art by Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 122x61cm - ART ARK®
Aboriginal Art by Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 122x61cm - ART ARK®

Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 122x61cm

£561.00

Original Work of Art (they all are!)

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  • Aboriginal Artist - Judith Nungarrayi Martin
  • Community - Nyirripi  
  • Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
  • Catalogue number - 8285/23
  • Materials - Acrylic on linen
  • Size(cm) - H122 W61 D2
  • Postage variants - Artwork posted un-stretched and rolled for safe shipping
  • Orientation - Painted from all sides and OK to hang as wished

Janganpa Jukurrpa (common brush-tail possum [Trichosurus vulpecula] Dreaming) travels all over Warlpiri country. ‘Janganpa’ are nocturnal animals that often nest in the hollows of white gum trees (‘wapunungka’). This story comes from a big hill called Mawurrji, west of Yuendumu and north of Pikilyi (Vaughan Springs). A group of ‘janganpa’ ancestors resided there. Every night they would go out in search of food. Their hunting trips took them to Wirlki and Wanapirdi, where they found ‘pamapardu’ (flying ants). They journeyed on to Ngarlkirdipini looking for water. A Nampijinpa women was living at Mawurrji with her two daughters. She gave her daughters in marriage to a Jupurrurla ‘janganpa’ but later decided to run away with them. The Jupurrurla angrily pursued the woman. He tracked them to Mawurrji where he killed them with a stone axe. Their bodies are now rocks at this place. Warlpiri people perform a young men’s initiation ceremony, which involves the Janganpa Jukurrpa. The Janganpa Jukurrpa belongs to Jakamarra/Jupurrurla men and Nakamarra/Napurrurla women. In Warlpiri paintings traditional iconography is used to represent this Jukurrpa. ‘Janganpa’ tracks are often represented as 'E' shaped figures and concentric circles are used to depict the trees in which the ‘janganpa’ live, and also the sites at Mawurrji.

Judith Nungarrayi Martin was born in 1976 in Alice Springs Hospital, the closest hospital to Yuendumu, a remote Aboriginal community 290 km north-west of Alice Springs in the Northern Territory of Australia. Judith comes from a family of artists. Her mother is Helen Nampijinpa Robertson and her grand-father is Shorty Jangala Robertson, both well-known artist who paints for Warlukurlanga Artists. She attended the local school in Yuendumu before studying at Yirara College, an Aboriginal boarding College in Alice Springs. When she finished school she returned to Yuendumu. She moved to Nyrripi in 1991 where she later married a ‘Nyrripi boy’. They have 3 sons and 1 daughter.

Judith has been painting with the Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, since 1994. As a young child she would watch her family paint and listen to their stories.  Although her production of artwork was initially sporadic – she began to paint full time when she had her sons and daughter.  “I wanted to paint the stories to teach my kids”.  

Judith paints her father’s Jukurrpa (Dreamings), that include Janganpa Jukurrpa (Brush Tail Possum Dreaming) and Yankirri Jukurrpa (Emu Dreaming). These Dreamings have been passed down through the generations for millennia and relate directly to the land, its features and the animals and plants that inhabit it. She has exhibited in group exhibitions in Melbourne, Sydney and Japan.  She uses an unrestricted palette to develop a modern interpretation of her traditional culture.

All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation.

We take great pride in offering high-quality, authentic Aboriginal Art pieces to you and in addition to our 120-day returns(they don't come back), we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present.

This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork ever sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that you are getting what you expect.

We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If at any time you have any concerns whatsoever about the authenticity of any art piece, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork sold by us we will promptly provide a full refund to you at any time in the future, be it in one year, or in ten!

Please find more information on authenticity here: https://artark.com.au/pages/aboriginal-art-authenticity

All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.

Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.

The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.

A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.

Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art