Julie Napaljarri Dempsey, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 61x30cm
Original artwork certified by the community art centre.
Community Certified Artwork
This original artwork is sold on behalf of Warlukurlangu Artists, a community-run art centre. It includes their Certificate of Authenticity.
– Original 1/1
- Details
- Artwork
- Artist
- Aboriginal Artist - Julie Napaljarri Dempsey
- Community - Yuendumu
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 679/26
- Materials - Acrylic on linen
- Size(cm) - H61 W30 D2
- Postage variants - Artwork is posted un-stretched and rolled for safe shipping
- Orientation - Painted from all sides and OK to hang as wished
The country associated with this 'ngapa Jukurrpa' (water Dreaming) is Mikanji, a watercourse west of Yuendumu that is usually dry. There are ‘mulju’ (soakages) in this creek bed. The 'kirda' (owners) of this Dreaming site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Mikanji is an important water Dreaming site, and features in at least three different water Dreaming tracks.
In one story, the water Dreaming travelled from Puyurru, northwest of Yuendumu, to a ‘mulju’ (soakage) in the Mikanji creek. It unleashed a huge storm there. Two old blind women of the Nampijinpa skin group were sitting by the side of the soakages. As the two women strained their eyes to see the sky, tears formed in their eyes, creating the rain. Their spirits can still be seen at Mikanji in the form of two ‘ngapiri’ (river red gums) growing near the soakage.
A second water Dreaming track that passes through Mikanji is also owned by the Nangala/Jangala and Nampijinpa/Jampijinpa subsections, and travels further west. At Mikanji, the storm rained so hard it created a hole in the ground which became a soakage. At Mirawarri a ‘kirrkarlanji’ (brown falcon [Falco berigora]) picked up the storm and carried it on its wings to the west until it became too heavy for it. The falcon eventually dropped the storm at Pirlinyarnu (Mt. Farewell) about 165 km west of Yuendumu, where it formed an enormous ‘maluri’ (claypan). A ‘mulju’ (soakage) exists in this place today.
A third Dreaming track that passes through Mikanji is the story of the water Dreaming and ‘pamapardu Jukurrpa’ (termite Dreaming). This Dreaming travels further north. This water Dreaming is owned by Nakamarra/Napurrurla women and Jakamarra/Jupurrurla men. The termite and water Dreamings travelled together from Warntungurru in the east past Warlura (a waterhole 8 miles east of Yuendumu), Wirnpa, Kanaralji, Ngamangama, and Jukajuka. A portion of this Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The termite Dreaming moved on to the west to Nyirrpi, a community approximately 160 km west of Yuendumu, whereas the water Dreaming travelled on to Mikanji. A ‘kirrkarlanji’ (brown falcon) eventually picked up the water and tied it to its head using hairstring. The falcon travelled north with the water Dreaming; at Puyurru, it flew under a tree and the water fell off of its head, forming a soakage there. The Dreaming then travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river beds.
”I like to paint because it takes me back spiritually and historically to who I am”
Julie Napaljarri Dempsey was born in 1976 in Alice Springs in the NT of Australia. Her mother was artist Lorna Wilson (Dec) and her Grandfather was artist Kaapa Jampitjinpa (1920 – 1989), a well-known artist involved with the inception of the painting movement at Papunya. Her two sisters and her father, a New Zealander, all live in South Australia at Port Pirie, Clare and Adelaide. Julie lives in Yuendumu with her husband, Herbert Martin and family. Julie went to Alice Springs High School where she completed Year 10 and was boarding at Yirara College, an Aboriginal boarding college in Alice Springs. She started a family at a young age but later went on to do more studies at Batchelor College in reading and writing English. She then went bush and worked for Centre link at Kintore, a small Aboriginal community located 550 km west of Alice Springs, near the NT/WA border and the Tropic of Capricorn. Julie started painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre in Yuendumu, in 2009. She paints her Grandfather’s Jukurrpa stories that include Ngala Jukurrpa (Water dreaming), depicting Warlukurlangu, one of her Grandfather’s key sites, a rainmaking place near Mt Denison; and the Honey Ant Dreaming. As a little girl Julie watched her family painting and listened to the stories behind the paintings. She uses traditional iconography in her artwork. Today Julie likes to be around her kids, Malcolm, Marissa, Gabriella and Kiara whom she had when she was young and Breanna and Azariah from her marriage to Herbert Martin. She also likes to go hunting and travelling around her country.
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Warlpiri Art from the Tanami Desert
This artwork comes from Warlukurlangu Artists in Yuendumu. The art centre represents Warlpiri artists from Yuendumu and Nyirripi, located in the Tanami Desert northwest of Alice Springs. This remote region of red sand and open desert Country is central to the stories and knowledge shared through the paintings.
— Image: Nyirripi community in the Northern Territory of Australia





