Kushia Young, Tjulpu, 91x61cm

• Aboriginal Artist - Kushia Young
• Community - Kalka
• Aboriginal Art Centre - Ninuku Arts
• Catalogue number - 24-300
• Materials - Acrylic on canvas  
• Size(cm) - H61 W91 D2  
• Postage variants - Artwork posted un-stretched and rolled for safe shipping
• Orientation - As displayed

This is a painting of tjulpiu (birds) native to the Kalka and Pipalyatjara communities of South Australia. They are a part of every day life, but also play their part in some dreaming stories.

Kushia Young was born in 1996 and lives in Pipalyatjara with her aunty, Carol Young. At a very early age, Kushia lost her hearing and was diagnosed as clinically deaf. During her formative school years, she was given the opportunity to go to Adelaide so that she could learn Auslan. It was during this time that she was also encouraged to focus on and develop drawing and painting.

Today, Kushia lives in Pipalyatjara with her family. Her painting style is quite unique to the region and could be said to be heavily influenced by her keen observational skills and her love for nature and country. She particularly likes to paint ‘tjulpu’ (birds) and other animals.

Recently, Kushia has been engaging with one-on-one workshops through the art centre, focusing on her illustration skills and storytelling to create new artworks in a digital format. This has created new opportunities for Kushia, including exhibiting work in Adelaide and a commission for laser-cut signage.

Ninuku Arts is a wholly-Indigenous owned and governed Art Centre which supports artists from two communities - Pipalyatjara and Kalka. Each have populations of around 100-150 Anangu and the majority are Pitjantjatjara speakers – Anangu simply means ‘people’ in Pitjantjatjara. Both communities are located in the far north-western corner of South Australia, near the tri-state border of South Australia, Western Australia and Northern Territory. The two communities, fourteen kilometres apart, are surrounded by the rolling, rocky hills of the Tomkinson Ranges and are part of the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. Both Kalka and Pipalyatjara are peaceful places. This is a result of strong governance, cultural engagement and pride among local Anangu. 

The Art Centre itself is located in Kalka and is housed in a mud-brick building (the only one in the Lands), which was built as an office in the early 1980’s by Anangu and white staff, and has since been extended to accommodate the growing number of artists keen to paint. A silver bullet caravan (formerly a mobile health unit) is also located on site, and has become a place for some artists to paint, mostly during the winter months while the morning sun warms the deck. Despite being the most remote art centre on the APY Lands, having limited working space and access to services, Ninuku Arts has continued to grow in success with each year. The artist’s commitment to both the art centre and painting is unflappable. The art centre prides itself on its inclusivity (providing opportunities for all generations) and embracing individuality in artists.