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Maywokka Chapman (Mayiwalku), Ggurra (home Country, camp), 76x46cm
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  • Aboriginal Art by Maywokka Chapman (Mayiwalku), Ggurra (home Country, camp), 76x46cm - ART ARK®
  • Aboriginal Art by Maywokka Chapman (Mayiwalku), Ggurra (home Country, camp), 76x46cm - ART ARK®
  • Aboriginal Art by Maywokka Chapman (Mayiwalku), Ggurra (home Country, camp), 76x46cm - ART ARK®
  • Aboriginal Art by Maywokka Chapman (Mayiwalku), Ggurra (home Country, camp), 76x46cm - ART ARK®
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Aboriginal Art by Maywokka Chapman (Mayiwalku), Ggurra (home Country, camp), 76x46cm - ART ARK®
Aboriginal Art by Maywokka Chapman (Mayiwalku), Ggurra (home Country, camp), 76x46cm - ART ARK®
Aboriginal Art by Maywokka Chapman (Mayiwalku), Ggurra (home Country, camp), 76x46cm - ART ARK®
Aboriginal Art by Maywokka Chapman (Mayiwalku), Ggurra (home Country, camp), 76x46cm - ART ARK®

Maywokka Chapman (Mayiwalku), Ggurra (home Country, camp), 76x46cm

£741.00

Original Work of Art (they all are!)

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  • Aboriginal Artist - Maywokka Chapman (Mayiwalku)
  • Community - South Hedland (WA)
  • Aboriginal Art Centre - Spinifex Hill Studio
  • Art centre catalogue number - 23-399
  • Materials - Acrylic paint on canvas
  • Size(cm) - H76 W46 D2 
  • Postage variants - Artwork is posted un-stretched and rolled for safe shipping
  • Orientation - Painted from all sides and OK to hang as wished

"My name Mayiwalku. I’m pujiman (nomadic desert dweller). [I had] no clothes, nothing. Me Karimarra (skin group). My daughter Milangka, mummy Milangka, daddy Purungu. [I was] born long way [away] – Ngarurr I been born. He [they] been coming back [with me], mummy and daddy. He [they] been bringing little one- me. He [they] been walk around, go round. Walking, walking with me. Me baby, eating sand! (laughs) My daddy (motions her father hitting her hand). I been big one (the eldest child). My sister Mulyatingki she told me “May you cheeky one!” I been mujarri (run away), me. I been hit him, my sister. She been crying, telling my mummy. She been hit me then. My daddy always gone long way, hunting marlu (kangaroo) and pussy cat. Get him with a spear. Good feed. He been bring them and cook ‘em. I been get married in Warralong. My nyupa (husband) finished now. Good man. Big one! I’m a single now. Too much children! Dennis, Sally, Pauly, Charlie, Arnold, Doreen and Sandra. My daughter Doreen I been get him (gave birth to) near to Jigalong. All the boys [were born in] Karntimarta, Warralong. In Warralong painting, painting. No fishing – no car! Only painting, painting every day! Yuwayi (yes)!"

Mayiwalku was born in the desert at Ngarurr soak in the 1940's. She is the eldest sister of fellow artists Nancy Nyanjilpayi Chapman, Mulyatingki Marney and Marjorie Yates (dec.). As a child and through to young adulthood, Mayiwalku travelled through her parents’ Country with their family. This region encompassed the areas surrounding Punmu, Karlamilyi River and Kunawarritji. Following the death of their parents, the sisters continued to travel in the desert alone, though at times they would meet and travel with other family groups. When Mayiwalku’s family saw white people for the first time, they hid from them in a cave until nighfall. With the construction of the Canning Stock Route in 1910, they increasingly came into contact with European and Martu drovers travelling along the Route. Finally, following an extreme and prolonged drought, Mayiwalku’s family walked into Balfour Downs Station, where they were collected by mission staff and taken to Jigalong Mission. They were one of the last families to leave the desert. Mayiwalku lived and worked for many years at Jigalong mission, eventually moving with her five children to Warralong, where she continues to live today with her children and grandchildren.

While every gallery can provide a certificate of authenticity, only those issued by community-run Aboriginal Art Centres ensure ethical purchasing and documentation. Any gallery can produce a certificate with an inkjet printer, but these do not guarantee ethical practices if they do not come from an Aboriginal community art centre. Alternate certificates are a big red flag. All of our paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, ensuring the gold standard for ethical purchasing.

We offer a lifetime money-back authenticity guarantee and 120-day returns to ensure you are always getting an authentic piece of art from ART ARK®. Your peace of mind in knowing you are purchasing genuine Aboriginal Art is important to us.

Please find more information on authenticity here: Aboriginal Art Authenticity

This painting is sent rolled. 

Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.

The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.

A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road.

Please find further details and examples relating to framing here: Framing Aboriginal Art