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Sandra Richards, Kunkale Wobe (Fishtrap Fence), 90x43cm Bark
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  • Aboriginal Art by Sandra Richards, Kunkale Wobe (Fishtrap Fence), 90x43cm Bark - ART ARK®
  • Aboriginal Art by Sandra Richards, Kunkale Wobe (Fishtrap Fence), 90x43cm Bark - ART ARK®
  • Aboriginal Art by Sandra Richards, Kunkale Wobe (Fishtrap Fence), 90x43cm Bark - ART ARK®
  • Aboriginal Art by Sandra Richards, Kunkale Wobe (Fishtrap Fence), 90x43cm Bark - ART ARK®
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Aboriginal Art by Sandra Richards, Kunkale Wobe (Fishtrap Fence), 90x43cm Bark - ART ARK®
Aboriginal Art by Sandra Richards, Kunkale Wobe (Fishtrap Fence), 90x43cm Bark - ART ARK®
Aboriginal Art by Sandra Richards, Kunkale Wobe (Fishtrap Fence), 90x43cm Bark - ART ARK®
Aboriginal Art by Sandra Richards, Kunkale Wobe (Fishtrap Fence), 90x43cm Bark - ART ARK®

Sandra Richards, Kunkale Wobe (Fishtrap Fence), 90x43cm Bark

£503.00

Original Work of Art (they all are!)

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  • Aboriginal Artist - Sandra Richards
  • Community - Maningrida
  • Homeland - Bolkjam
  • Aboriginal Art Centre - Maningrdia Arts
  • Catalogue number - 387-22
  • Materials - Earth pigments on stringybark
  • Size(cm) - H90 W43(not including bracing sticks) D3 (irregular)
  • Orientation - As displayed
  • Postage variant - Delivered ready to hang

In the past, people made kunkarlewobe (stick fence fish trap) at a place called Kukadjdjerre. There’s a little fish there called ngadjbel (mouth almighty) that would travel far up the river and bring back all the larger fish: bilmu (barramundi), barrhmanj (saratoga) and bikkurr (catfish). When there were no fish, people would do a painting of ngadjbel on a tree behind the fence, leave it overnight, and the next morning there would be plenty of fish. As custodians for Kukadjdjerre, wurum (fish-increasing spirits) look after the area and also call out for fish when people ask.

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An art movement that is striking, political and enduring: this is what contemporary artists in Maningrida and the surrounding homelands have built, powered by their ancestral connections to country and djang.

Ways of learning and schools of art in Arnhem Land are based around a system of passing knowledge and information on to others. The art here has its genesis in body design, rock art and cultural practices, in concert with more than 50 years of collaborations, travel and political action to retain ownership of country. Values and law are expressed through language, imagery, manikay (song), bunggul (dance), doloppo bim (bark painting), sculptures, and kun-madj (weaving) – the arts.

The artists’ transformation of djang into contemporary artistic expression has intrigued people around the world: art curators and collectors, and stars including Yoko Ono, Jane Campion, David Attenborough and Elton John. Pablo Picasso said of Yirawala’s paintings, ‘This is what I’ve been trying to achieve all my life.’

Yirawala (c.1897–1976) was a legendary Kuninjku leader, artist, land-rights activist and teacher, and his artwork was the first of any Indigenous artist to be collected by the National Gallery of Australia as part of a policy to represent in depth the most significant figures in Australian art.

Maningrida Arts & Culture is based on Kunibídji country in Arnhem Land in Australia’s Northern Territory. The area where artists live encompasses 7,000 square kilometres of land and sea, and over 100 clan estates, where people speak more than 12 distinct languages. Aboriginal people in this region are still on country, surviving and resilient because their country is the centre of their epistemology, their belief system, culture – djang.

Artists’ works from the larger Maningrida region can be seen in collections and institutions around the world. We work with museums, contemporary galleries and high-end retailers both nationally and internationally on projects throughout the year.

Text courtesy: Maningrida Arts and Culture

We take great pride in offering high-quality, authentic Aboriginal Art pieces to you. However, we are aware that there have been instances (and recent press relating to the unaffiliated APYACC) in the Aboriginal Art market where the authenticity of some artworks has been called into question. We want to assure you and all of our customers that we firmly stand behind the authenticity of every artwork we sell.

In addition to our extended 120 days standard returns, we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present. This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that they are getting what you paid for.

As part of our commitment to authentic Aboriginal Art, we work with reputable Aboriginal Art centres that we know are committed to maintaining the integrity of Aboriginal Art. Additionally, we continually monitor all aspects of the Aboriginal Art market and are acutely aware of, and are proactive in addressing any issues arising.

We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If you have any concerns about the authenticity of any art piece you purchased from us, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork we have sold we will happily provide a full refund to you at any time in the future outside of our standard returns policy. 

Thank you for choosing ART ARK® for your Aboriginal Art purchasing. We are honoured to provide you with authentic, high-quality art pieces and look forward to continuing to serve you.