Clarise Nampijinpa Poulson, Pamapardu Jukurrpa (Flying Ant Dreaming) - Warntungurru, 46x46cm
Original Artwork
Fast & Free Delivery
120 Day Returns
Lifetime Authenticity Guarantee
Certified by Community Art Centre
Colour Correct Images
1450+ Reviews
- Details
- Artwork
- Artist
- Authenticity
- Framing
- Aboriginal Artist - Clarise Nampijinpa Poulson
- Community - Yuendumu
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 5832/22
- Materials - Acrylic on canvas
- Size(cm) - H46 W46 D2
- Postage - Artwork posted un-stretched and rolled for safe shipping
- Orientation - Painted from all sides and OK to hang as wished
The country associated with this 'ngapa Jukurrpa' (water Dreaming) is Mikanji, a watercourse west of Yuendumu that is usually dry. There are ‘mulju’ (soakages) in this creek bed. The 'kirda' (owners) of this Dreaming site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Mikanji is an important water Dreaming site, and features in at least three different water Dreaming tracks.
In one story, the water Dreaming travelled from Puyurru, northwest of Yuendumu, to a ‘mulju’ (soakage) in the Mikanji creek. It unleashed a huge storm there. Two old blind women of the Nampijinpa skin group were sitting by the side of the soakages. As the two women strained their eyes to see the sky, tears formed in their eyes, creating the rain. Their spirits can still be seen at Mikanji in the form of two ‘ngapiri’ (river red gums) growing near the soakage.
A second water Dreaming track that passes through Mikanji is also owned by the Nangala/Jangala and Nampijinpa/Jampijinpa subsections, and travels further west. At Mikanji, the storm rained so hard it created a hole in the ground which became a soakage. At Mirawarri a ‘kirrkarlanji’ (brown falcon [Falco berigora]) picked up the storm and carried it on its wings to the west until it became too heavy for it. The falcon eventually dropped the storm at Pirlinyarnu (Mt. Farewell) about 165 km west of Yuendumu, where it formed an enormous ‘maluri’ (claypan). A ‘mulju’ (soakage) exists in this place today.
A third Dreaming track that passes through Mikanji is the story of the water Dreaming and ‘pamapardu Jukurrpa’ (termite Dreaming). This Dreaming travels further north. This water Dreaming is owned by Nakamarra/Napurrurla women and Jakamarra/Jupurrurla men. The termite and water Dreamings travelled together from Warntungurru in the east past Warlura (a waterhole 8 miles east of Yuendumu), Wirnpa, Kanaralji, Ngamangama, and Jukajuka. A portion of this Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The termite Dreaming moved on to the west to Nyirrpi, a community approximately 160 km west of Yuendumu, whereas the water Dreaming travelled on to Mikanji. A ‘kirrkarlanji’ (brown falcon) eventually picked up the water and tied it to its head using hairstring. The falcon travelled north with the water Dreaming; at Puyurru, it flew under a tree and the water fell off of its head, forming a soakage there. The Dreaming then travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river beds.
Clarise Nampijinpa Poulson was born in 1957 in Yuendumu, a remote Aboriginal community 290 km north-west of Alice Springs in the NT of Australia. A Warlpiri speaker, Clarise lives and work in Yuendumu . Her country is Wantungurru, and she paints her father’s Jukurrpa, Dreamings which include Yankirri (Emu Dreaming), Ngapa (Water Dreaming) and Pamapardu (Flying Ant Dreaming). These stories were handed down to her by her father and his father’s father for millennia. Clarise Nampijinpa first painted for Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre in Yuendumu, in 1988, and her first solo work was shown in the ANCAA exhibition in Darwin in September 1988. She quickly distinguished herself as an outstanding artist, daring in her use of intense colour and detailed, hard -edged designs with optical gyrations. Clarice is a meticulous painter, able to vary size of dots and design elements so that each composition is individualistic. Clarise has participated in many important surveys of Aboriginal art, notable Mythscapes: Aboriginal Art of the Desert, National Gallery of Victoria, Melbourne, 1989, Balance 1990, Views Visions and Influences, Queensland Art Gallery, Brisbane, 1990, L'ete Australien Montpellier, Musee favre, France 1990 and the Aboriginal Women's Exhibition, Art Gallery of New South Wales, Sydney, 1991. In 1992, she had her first solo exhibition at Hogarth Gallery in Sydney. In 1993, Clarise was awarded a Creative Arts Fellowship. She is a widow but when married she sometimes painted with her husband, Michael Japangardi Poulson (Dec). Her brother in law Neville Cobra” Japangardi Poulson is also a painter at Warlukurlangu Artists. Clarise is a very strong Baptist. Yuedumu community where she lives was originally a Baptist Mission. Clarisse has painted the stations of the cross for the local church in traditional iconography.
All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation.
We take great pride in offering high-quality, authentic Aboriginal Art pieces to you and in addition to our 120-day returns(they don't come back), we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present.
This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork ever sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that you are getting what you expect.
We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If at any time you have any concerns whatsoever about the authenticity of any art piece, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork sold by us we will promptly provide a full refund to you at any time in the future, be it in one year, or in ten!
Please find more information on authenticity here: https://artark.com.au/pages/aboriginal-art-authenticity
All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.
Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.
The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.
A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.
Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art
Life is better with art
Art is a powerful tool for remote Aboriginal artists to support themselves and their families while enriching people's lives and transforming homes. This beautiful artwork, like all we offer, is sold in partnership with a community-run Aboriginal Art centre that prioritises their artists' best interests. These not-for-profit organisations are publicly audited and certify the artwork, ensuring its authenticity and fair payment. As their partner, our role is to champion these beautiful artworks and give you the confidence to support them by swiftly delivering pieces that perfectly match what you see online, thanks to our meticulous editing and high-end photography. With 120-day returns (that you likely won't need) and fast, free delivery, feel confident in seamlessly acquiring art you will be proud to own. No matter where you are in the world, we deliver from our base in Launceston, Tasmania (Lutruwita). International orders under $500 AUD incur $30 AUD postage.
Customer reviews overview
Our customers consistently praise our fast deliveries, the accuracy of our images, and our ethical business model, which is supported by the documentation provided with each artwork. Please read our customer reviews