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Liddy Napanangka Walker, Pirlarla Jukurrpa (Dogwood Tree Bean Dreaming), 61x61cm
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  • Aboriginal Art by Liddy Napanangka Walker, Pirlarla Jukurrpa (Dogwood Tree Bean Dreaming), 61x61cm - ART ARK®
  • Aboriginal Art by Liddy Napanangka Walker, Pirlarla Jukurrpa (Dogwood Tree Bean Dreaming), 61x61cm - ART ARK®
  • Aboriginal Art by Liddy Napanangka Walker, Pirlarla Jukurrpa (Dogwood Tree Bean Dreaming), 61x61cm - ART ARK®
  • Aboriginal Art by Liddy Napanangka Walker, Pirlarla Jukurrpa (Dogwood Tree Bean Dreaming), 61x61cm - ART ARK®
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Aboriginal Art by Liddy Napanangka Walker, Pirlarla Jukurrpa (Dogwood Tree Bean Dreaming), 61x61cm - ART ARK®
Aboriginal Art by Liddy Napanangka Walker, Pirlarla Jukurrpa (Dogwood Tree Bean Dreaming), 61x61cm - ART ARK®
Aboriginal Art by Liddy Napanangka Walker, Pirlarla Jukurrpa (Dogwood Tree Bean Dreaming), 61x61cm - ART ARK®
Aboriginal Art by Liddy Napanangka Walker, Pirlarla Jukurrpa (Dogwood Tree Bean Dreaming), 61x61cm - ART ARK®

Liddy Napanangka Walker, Pirlarla Jukurrpa (Dogwood Tree Bean Dreaming), 61x61cm

$811.00

Original Work of Art (they all are!)

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  • Aboriginal Artist - Liddy Napanangka Walker
  • Community - Yuendumu
  • Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
  • Catalogue number - 517/12
  • Materials - Acrylic paint on linen
  • Size(cm) - H61 W61 D2
  • Postage variants - This work is posted rolled for safe shipping
  • Orientation - Painted from all sides and OK to hang as wished

This story of the Pirlarla Jukurrpa (dogwood tree bean Dreaming) comes from the country near to the Yiningnarra range, south of Rabbit Flat and several hundred kilometers to the north-west of Yuendumu. This Jukurrpa travels west and begins near Yumurrpa. There, women of the Napurrula/Nakamarra subsection travelled and collected the ‘pirlarla’ (seeds and pods) of the ‘wakirlpirri’ (dogwood [Acacia coriacea]) tree, a valuable and highly prized food source. In the hot summer time the ‘pirlarla’ seed pods are collected, burnt in a fire and then cracked open. The seeds inside the pods are then ground up and make a good food. The juice from the seeds is also edible. In Warlpiri paintings traditional iconography is used to represent the Jukurrpa and other elements. In paintings of this Jukurrpa the representative designs that are painted onto women's bodies during their Yawulyu ceremonies are often shown. The custodians of the Pirlarla Jukurrpa are Jakamarra/Jupurrurla men and Nakamarra/Napurrurla women.

" I paint my father Japangardi's Dreaming and my grandfather's Dreaming. Mt Theo is my father's country and that's what I’m painting the special Dreamings from. The Dreamings I paint are bush tomato, goanna….Goanna likes to fight and is a lover boy. And I paint seed pods and bush potato and hopping mouse. There are lots of stories…I paint strongly."

Liddy was born in 1925 at Mt Doreen, and spent her younger years living with her family in bush camps. She regularly visited her country around Mt Theo, west of Yuendumu. She lived in Yuendumu, a remote Aboriginal community located 290 kms north-west of Alice Springs, in the NT of Australia, since it was first established and worked in the community in various pastoral care roles including cooking for the sick or the elderly. She started painting on canvas not long after Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, was established in 1985 and Liddy become one of the most important members. Liddy painted her father’s Jukurrpa stories, Dreaming stories which relate directly to her land, its features and animals. These stories were passed down to her by her father and her grandfather and their parents before them for millennia.

All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation.

We take great pride in offering high-quality, authentic Aboriginal Art pieces to you and in addition to our 120-day returns(they don't come back), we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present.

This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork ever sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that you are getting what you expect.

We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If at any time you have any concerns whatsoever about the authenticity of any art piece, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork sold by us we will promptly provide a full refund to you at any time in the future, be it in one year, or in ten!

Please find more information on authenticity here: https://artark.com.au/pages/aboriginal-art-authenticity

All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.

Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.

The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.

A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.

Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art