Adrian Jangala Robinson, Nguru Nyirrpi-wana (Country around Nyirrpi), 61x46cm

• Aboriginal Artist - Adrian Jangala Robinson
• Community - Yuendumu/Alice Springs
• Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
• Catalogue number - 4864/21
• Materials - Acrylic on canvas
• Size(cm) - H61 W46 D2 
• Postage variants - Artwork is posted un-stretched and rolled for safe shipping
• Orientation - As displayed

This painting depicts the natural landscape around Nyirrpi, a small Warlpiri community (originally an outstation) about 160 km west of Yuendumu. About 200 people live in Nyirrpi today. The bush around Nyirrpi features plenty of ‘watiya’ (trees), ‘marna’ (grass), ‘kuyu’ (animals) to hunt, and ‘miyi’ (edible plants) to gather.

There are a number of beautiful natural features close to Nyirrpi, including sandhills, soakages, and Karrku (Mt. Stanley), a large flat-topped hill that is an important source of red ochre used during ceremonies. There are also a number of small outstations around Nyirrpi. These include Wayililinpa, Yinjirimardi, Karrinyarra (Mt. Wedge), Nginyirripalangu, and many more.

Many sites around Nyirrpi are associated with different ‘Jukurrpa’ (Dreamings). These sites include Karrku, which is associated with a ‘karnta Jukurrpa’ (womens’ Dreaming) and a ‘ngalyipi Jukurrpa’ (snake vine [Tinospora smilacina] Dreaming). In the Jukurrpa, two women of the Napaljarri skin subsection threw a hairstring rope around Karrku and tried to pull it down.

Other Jukurrpa around Nyirrpi include the ‘warna Jukurrpa’ (snake Dreaming) that travels north from Kunajarrayi (Mt. Nicker), the ‘maliki Jukurrpa’ (dog Dreaming) associated with Winijardu, a hill, and the ‘marlu Jukurrpa’ (kangaroo Dreaming) that travels from north to south past Nyirrpi. There is also a ‘pamapardu Jukurrpa’ (termite Dreaming) and ‘mukaki Jukurrpa’ (bush plum [Santalum lanceolatum] Dreaming) associated with Warntungurru, a hill close to Nyirrpi. This ‘pamapardu Jukurrpa’ (termite Dreaming) travels from Wapurtali (Mt. Singleton) in the west to Warntungurru.

The Jukurrpa sites around Nyirrpi are all owned and cared for by different skin subsections. Some people are ‘kirda’ (owners) of the Jukurrpa, and others are ‘kurdungurlu’ (custodians).

In Warlpiri paintings, traditional iconography can be used to represent the landscape around Nyirrpi, the Jukurrpa, and other elements. Paintings of Jukurrpa around Nyirrpi can include wavy lines that are used to represent the ‘ngalyipi’ (snake vine), dashed lines used to represent the ‘pamapardu’ (termites), and concentric circles used to represent waterholes or ‘mingkirri’ (termite mounds).

Adrian was born at Papunya in 1962. He went to school in Papunya and remembers Geoff Bardon as a school teacher and working alongside the early Western Desert painters. Adrian’s fathers’ country travels from west of Walungurru through Karku at Nyirrpi to Warlurkurlangu at Yuendumu. His father, Jampitjinpa, lived at Mount Doreen close to Yuendumu and later worked at Papunya as a Gardener and Builder. Jampitjinpa is a brother to the late Darby Ross Jampitjinpa, sharing the same mother and father. Adrian’s mother is the late Eunice Napangardi, a well-known painter herself. It is her country, Yalpirakinu, that Adrian paints.

All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation.

We take great pride in offering high-quality, authentic Aboriginal Art pieces to you and in addition to our 120-day returns(they don't come back), we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present.

This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork ever sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that you are getting what you expect.

We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If at any time you have any concerns whatsoever about the authenticity of any art piece, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork sold by us we will promptly provide a full refund to you at any time in the future, be it in one year, or in ten!

Please find more information on authenticity here: https://artark.com.au/pages/aboriginal-art-authenticity

All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.

Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide a timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.

The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.

A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.

Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art