Daphne Napurrula Marks, Yalka at Karrkurutinytja (Bush onion Dreaming at Lake Macdonald), 40x40cm

• Aboriginal Artist - Daphne Napurrula Marks
• Community - Ikuntji (Haasts Bluff)
• Aboriginal Art Centre - Ikuntji Artists
• Catalogue number - 20-DM160
• Materials - Acrylic on linen  
• Size(cm) - H40 W40 D2 
• Postage variants - Artwork posted unstretched and rolled for safe shipping
• Orientation - Painted from all sides and OK to hang as wished

Daphne was passed down the right to paint the Yalka Tjukurrpa at Karrkurutinytja (Bush onion dreaming at Lake Macdonald) from her grandmother, Narputta Nangala Jugadai. Narputta, who was a founding member of Ikuntji art centre and a prolific painter, was born close to this site.

Daphne says,

“My grandmother, Narpu a used to make that painting. She told me that story. I used to work here (Ikuntji Women’s Centre) as a cook. I came to learn here. I saw my grandma painting. I learnt from her. She told me that story…Yalka…Bush food…For a long me those old ladies have been looking for Yalka, digging for Yalka, taking the fruit, cooking it in the fire. We cook them just a little bit, like Maku (witchetty grub). I have been looking for that Yalka with my grandmother.”

Yalka Tjukurrpa, as told by Narputta,

“Creek bed at Karrkurutinytja. Two old women, two Nungurrayi, came across from Pulpa and started Gathering bush onions, putting them into coolamons. They went on a journey west. They approached a group of men and watched them, whilst hiding in the bush at Pimarrpa (Soakage near Kiwirrkura). There was another lady, Alkiljarra Nakamarra, who came along on their tracks. She saw them where they had gathered bush onions. She became upset that they’d gathered them all up and there were none left. The Nakamarra started walking and came across the creek, where she started collecting mungilpa (a staple seed food for the Pintupi people). She came across two Tjangalas (Mungilnga and Tiwilgna). Next to them was a rockhole and Atjakalya Nakamarra, who was making damper for them. Mungilnga had the smaller damper. The two Tjangalas ate their damper then she flew off and became a rock there at Kurultu.”

Daphne was born in 1979 at Alice Springs hospital. She has been painting for several years now and is one of the youngest artists to work at Ikuntji Art Centre. When she was a young girl her Mother and Father passed away. She was raised by her
grandmother, Narputta Nangala Jugadai, Ikuntji's most senior and internationally recognised painter. On the weekends Daphne enjoys hunting and cooking Goanna's, shopping and looking after her 2 sons, Stanley and Christopher. Her family is very
important to her and she spends a lot of time looking after the welfare of her extended family. She is a keen member of the Haasts Bluff softball team. Daphne has an eye for detail and paints meticulous translations of the Haasts Bluff landscape, including flora and fauna. Her work becomes particularly vibrant after the rains when the newly emerged wild flowers dominate her paintings.

A lot of stories are still being recounted of long journeys of people from various language groups, who travelled from rockholes and waterholes to caves and mountains finally arriving at Haasts Bluff. The locals, Luritja people of Haasts Bluff, were already here. Thus Haasts Bluff is a community rich of diversity in language and culture.

Ikuntji Artists was first established in 1992, after a series of workshops with Melbourne artist Marina Strocchi, and under the influence of the then community president, the late Esther Jugadai. The art centre was initially set up to fulfil the role of women’s centre providing services such as catering for old people and children in the community. After first experiences made in printing T-shirts, the artists began producing acrylic paintings on linen and handmade paper, which quickly gained the attention of the Australian and international art world as well as earning the centre an impressive reputation for fine art. The focus changed from a women’s centre to an art centre in 2005 with the incorporation of the art centre as Ikuntji Artists Aboriginal Corporation.

The artists draw their inspiration from their personal ngurra (country) and Tjukurrpa (Dreaming). They interpret the ancestral stories by using traditional symbols, icons and motifs. The artistic repertoire of Ikuntji Artists is diverse and includes for example: naive as well as highly abstract paintings told by each artist in their personal signature style. Throughout the 21 years of its existence the art movement in Ikuntji has flourished and constantly left its mark in the fine art world. At the same time the art centre has been the cultural hub of the community, maintaining, reinforcing and reinvigorating cultural practices through art-making.

Today Ikuntji Artists has eight key artists, who exhibit in Australia and internationally. They are represented in major collections across the globe.

Text: Melanie Greiner, Alison Multa and Dr Chrischona Schmidt