Pauline Napangardi Gallagher, Mina Mina Jukurrpa, 240x122cm
Original Work of Art (they all are!)
Certified by Community Art Centre
Fast & Free Delivery
120 Day Returns
Authenticity Guarantee
Colour Correct Images
1510+ Reviews
- Details
- Artwork
- Artist
- Aboriginal Artist - Pauline Napangardi Gallagher
- Community - Nyirripi
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 1685/18ny
- Materials - Acrylic on linen
- Size(cm) - H240 W122 D2
- Postage variants - Artwork posted un-stretched and rolled for safe shipping
- Orientation - Painted from all sides and OK to hang as wished
This ‘Jukurrpa’ (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina.
In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngami’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to bind cuts.
The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like ‘jintiparnta’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland.
In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks).
Pauline Napangardi Gallagher was born in 1952 in Yuendumu. She went to the local school in Yuendumu and soon after married her promised husband who is now deceased. Pauline moved to Nyirripi in 1983 and still lives there. She has five children, three sons and two daughters; she also has fifteen grandchildren. Some of her family live in Nyirripi and the rest of her family live in Yuendumu, Kintore and Papunya, Aboriginal communities in the NT of Australia. Pauline’s country is Pikilyi (Vaughan Springs), a sacred water hole and located near Mount Doreen Station west of Yuendumu and approximately 350 km north-west of Alice Springs. Pauline has been painting since 2006 with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, a remote Aboriginal community 290 km north-west of Alice Springs in NT of Australia. She paints her father’s stories – Pikilyi Jukurrpa (Pikilyi Dreaming) and Mina Mina Jukurrpa (Mina Mina Dreaming), Dreamings that relate to her land, its features and animals. They have been passed down to her by her parents and their parents before them for millennia. She continues to paint through this art centre when she visits Yuendumu or when canvas, paint and brushes are dropped off in Nyirripi for artist by Warlukurlangu, as they have done since 2005. Pauline loves colour and uses an unrestricted palette to develop a modern interpretation of her traditional Aboriginal culture.
Unique and Original Aboriginal Art in the United States
Life is better with art, and this beautiful, original piece will be a conversation starter for years to come. Delivered to the USA in around a week, your new artwork will arrive exactly as you see it online—lovingly packed and accompanied by a certificate of authenticity from the community-based, not-for-profit art centre. With colour-accurate images and seamless service, we guarantee that your artwork will arrive promptly and as expected. Enjoy fast, free delivery and 120-day returns, and rest easy knowing you've made an ethical purchase.
*For international orders under $500 AUD, a $30 AUD postage fee applies; otherwise, shipping is free
United States Deliveries and Customs
Fortunately, unlike in most parts of the world, original artworks delivered to the USA are exempt from import duties. This means no additional fees and no lengthy customs delays.
Authenticity Documents
While certificates of authenticity are common, only those from community-based Aboriginal art centres provide assurance of ethical sourcing and documentation. Certificates issued by non-community galleries do not reflect ethical practices, so it's essential to check the origin.
At ART ARK®, every artwork includes a certificate of authenticity issued by the community-run art centre where it was created. Learn more about Aboriginal Art Authenticity.
Framing Aboriginal Art
We deliver artworks exactly as they arrive from the art centres, ensuring transparent pricing with no additional costs. Prices are based on what each centre sets, and we include free postage.
Our canvas and linen paintings are sent rolled for easy re-stretching at your local framer. Bark paintings and smaller works in our Stretched Desert Paintings collection arrive ready to hang. Watercolours should be framed behind glass, whether in a custom or pre-made frame. Learn more about Framing Aboriginal Art.
Customer Testimonials
Our customers consistently praise our fast deliveries, the accuracy of our images, and our ethical business model.
Please read our Customer Reviews to learn more.