Sarah Napaljarri Sims, Mina Mina Jukurrpa (Mina Mina Dreaming) - Ngalyipi, 61x30cm
Original Work of Art (1/1) — they all are!
Certified by Community Art Centre
Fast & Free Delivery
120 Day Returns
Authenticity Guarantee
Colour Correct Images
1520+ Reviews
- Details
- Artwork
- Artist
- Aboriginal Artist - Sarah Napaljarri Sims
- Community - Nyirripi
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 615/20ny
- Materials - Acrylic on canvas
- Size(cm) - H61 W30 D2
- Postage variants - Posted un-stretched and rolled for safe shipping
- Orientation - Painted from all sides and OK to hang as wished
This ‘Jukurrpa’ (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina.
In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngami’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to bind cuts.
The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like ‘jintiparnta’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland.
In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks).
Sarah Napaljarri Sims was born in 1988 in Derby Hospital, the closest hospital to Balgo, a remote Aboriginal community in Western Australia, linked with both the Great Sandy Desert and the Tanami Desert. Her Mum was from Balgo and her Dad from Nyirripi, another remote Aboriginal community approx. 660 km north-east from Balgo. Sara lived with her parents in Balgo until she was thirteen years old, when her Mum passed away. Her father, Evan Jungarrayi Sims moved back to Nyirripi, where Sara’s Grandmother, Bessie Nakamarra Sims (1931-2012) raised her. Sarah began her schooling in Balgo and finished it in Nyirripi. After she left school she travelled, visiting family in Kintore and Balgo, before returning to Nyirripi where she now lives. She is a single Mum with one son, born in 2010.
Sarah began painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, in 2013. The Art Centre makes regular visits to Nyirripi to drop off canvas, paint and brushes for the artists and to collect finished artwork. She paints her Grandmother’s Jukurrpa, stories about women’s ceremony held near Pikilyi (Vaughan Springs). ”I use to watch my grandmother paint and listen to her stories.” These stories have been passed down through generations for millennia and relate directly to the land, its features and the plants and animals that inhabit it. Sara finds painting relaxing and uses an unrestricted palette to develop a modern interpretation of her traditional culture.
When Sarah is not painting she enjoys her home and is ‘house proud’ creating a clean home to share with family and friends, especially when watching TV. On weekends she sometimes goes hunting with her family.
Unique and Original Aboriginal Art in the United States
Life is better with art, and this beautiful, original piece will be a conversation starter for years to come. Delivered to the USA in around a week, your new artwork will arrive exactly as you see it online—lovingly packed and accompanied by a certificate of authenticity from the community-based, not-for-profit art centre. With colour-accurate images and seamless service, we guarantee that your artwork will arrive promptly and as expected. Enjoy fast, free delivery and 120-day returns, and rest easy knowing you've made an ethical purchase.
*For international orders under $500 AUD, a $30 AUD postage fee applies; otherwise, shipping is free
United States Deliveries and Customs
Fortunately, unlike in most parts of the world, original artworks delivered to the USA are exempt from import duties. This means no additional fees and no lengthy customs delays.
Authenticity Documents
While certificates of authenticity are common, only those from community-based Aboriginal art centres provide assurance of ethical sourcing and documentation. Certificates issued by non-community galleries do not reflect ethical practices, so it's essential to check the origin.
At ART ARK®, every artwork includes a certificate of authenticity issued by the community-run art centre where it was created. Learn more about Aboriginal Art Authenticity.
Framing Aboriginal Art
We deliver artworks exactly as they arrive from the art centres, ensuring transparent pricing with no additional costs. Prices are based on what each centre sets, and we include free postage.
Our canvas and linen paintings are sent rolled for easy re-stretching at your local framer. Bark paintings and smaller works in our Stretched Desert Paintings collection arrive ready to hang. Watercolours should be framed behind glass, whether in a custom or pre-made frame. Learn more about Framing Aboriginal Art.
Customer Testimonials
Our customers consistently praise our fast deliveries, the accuracy of our images, and our ethical business model.
Please read our Customer Reviews to learn more.