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Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm
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  • Aboriginal Art by Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm - ART ARK®
  • Aboriginal Art by Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm - ART ARK®
  • Aboriginal Art by Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm - ART ARK®
  • Aboriginal Art by Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm - ART ARK®
  • Aboriginal Art by Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm - ART ARK®
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Aboriginal Art by Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm - ART ARK®
Aboriginal Art by Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm - ART ARK®
Aboriginal Art by Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm - ART ARK®
Aboriginal Art by Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm - ART ARK®
Aboriginal Art by Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm - ART ARK®

Stephanie Napurrurla Nelson, Yarla Jukurrpa (Bush Potato Dreaming) - Yumurrpa, 122x46cm

$526.00

Original Work of Art (1/1) — they all are!

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  • Aboriginal Artist - Stephanie Napurrurla Nelson
  • Community - Yuendumu  
  • Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation  
  • Catalogue number - 7795/23
  • Materials - Acrylic on linen
  • Size(cm) - H122 W46 D2 
  • Postage variants - Artwork is posted un-stretched and rolled for safe shipping
  • Orientation - Painted from all sides and OK to hang as wished

The Yarla Jukurrpa (bush potato [Ipomea costata] Dreaming) tells the story of a fight between ‘yarla’ from Yumurrpa and ‘wapirti’ (bush carrot [Vigna lanceolata]) from Wapurtali. The ‘yarla’ were Jakamarra/Jupurrurla skins and they were in conflict over Napaljarri/Napanangka women, who have the right skin for marriage. The fight took place at ‘Ngardirpi. Many men died, their bodies are now sand hills and their blood formed a water soak. ‘Yarla’ are fibrous tubers that grow beneath a low spreading plant, found by looking for cracks in the ground. Yarla are good to eat, when cooked they are really soft and tasty. This Dreaming belongs to Jupurrurla/Jakamarra men and Napurrula/Nakamarra women. Nakamarra and Napurrula ‘karnta’ (women) are shown sitting down at Yumurrpa gathering ‘yarla’ with ‘karlangu’ (digging sticks) and placing them in ‘parraja’ (wooden carrying dishes). In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. In paintings of this Jukurrpa women are usually depicted by ‘U’ shapes while the ‘yarla’ plants are represented by concentric circles. The ‘watarlapi’ (the lateral ‘yarla’ roots) are shown across the painting, to symbolize the way this Jukurrpa is spread through Warlpiri country.

Stephanie Napurrurla Nelson was born in 1984 in the Northern Territory town of Alice Springs. She grew up 290km from there, in Yuendumu, a remote Aboriginal Community. She attended the local school then studied at Yirrara College, an Aboriginal boarding college in Alice Springs. Stephanie's auntie is Bessie Nakamarra Sims (Dec) who was one of the founding artists of Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre in the community of Yuendumu. Stephanie has painted at the art centre since 2000 under the guidance of Bessie, from whom she has been handed the Dreaming stories she paints. These stories have been passed down in this way over many generations. Stephanie’s dreamings include Janganpa (possum), Yarla (bush potato), Karnta (women), Marlu (kangaroo), Pamabaru (flying ant). They come from Waputali, the country of which her family are custodians, and relate directly to this land, it's features and animals. Stephanie is married and has a son who was born in 2003. She likes playing basketball and going hunting with her family.

All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation.

We take great pride in offering high-quality, authentic Aboriginal Art pieces to you and in addition to our 120-day returns(they don't come back), we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present.

This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork ever sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that you are getting what you expect.

We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If at any time you have any concerns whatsoever about the authenticity of any art piece, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork sold by us we will promptly provide a full refund to you at any time in the future, be it in one year, or in ten!

Please find more information on authenticity here: https://artark.com.au/pages/aboriginal-art-authenticity

All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.

Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.

The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.

A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.

Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art