Wilma Napangardi Poulson, Birds that live around Yuendumu, 76x76cm

• Aboriginal Artist - Wilma Napangardi Poulson
• Community - Yuendumu  
• Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
• Catalogue number - 2746/23
• Materials - Acrylic paint on linen
• Size(cm) - H76 W76 D2
• Postage variants - Artwork posted rolled for safe shipping
• Orientation - As displayed

This painting depicts one of many ‘jurlpu’ (bird) species that live around Yuendumu. The bush around Yuendumu provides many different habitats for birds to live in. Many bird species live around waterholes and rivers, like the ‘pirniny-pirninypa’ (black fronted dotterel [Elseyornis melanops]) and Ngatijirri (budgerigar [Melopsittacus undulates]). Others live in the spinifex country, like the ‘nuwiyingki’ or ‘panngarra’ (cockatiel [Nymphicus hollandicus]). Still others make nests in trees, like the ‘juwayikirdi’ (grey crowned babbler [Pomatostomus temporalis]).

People hunt some of these species for meat. The most popular species to hunt today are the ‘yankirri’ (emu [Dromaius novaehollandiae]) and ‘wardilyka’ (bush turkey [Ardeotis australis]). People also used to hunt ‘yupurru’ (spinifex pigeon [Geophaps plumifera]) and ‘ngapilkiri’ (crested pigeon [Ocyphaps lophotes]), among others.

A number of bird species tell people messages. Several species tell people when rain is coming, including the ‘jintirr-jintirrpa’ (willy wagtail [Rhipidura leucophrys]) and ‘kalwa’ (crane). The cries of other birds, like the ‘kirrkalanji’ (brown falcon [Falco berigora]) and ‘ngamirliri’ (bush stone curlew [Burhinus grallarius]), can make children sick. The ‘paku-paku’ (crested bellbird [Oreoica gutturalis]) and ‘kurlukuku’ (diamond dove [Geopelia cuneata]) are messengers of love songs.

People also use messages from birds to help them hunt. The ‘juwayikirdi’ (grey crowned babbler [Pomatostomus temporalis]) and ‘piirn-piirnpa’ (yellow throated miner [Manorina flavigula]) cry when goannas are nearby. People know to run quickly when these birds cry, so that they can catch the goannas.

In Warlpiri culture, ‘jurlpu’ (birds) are associated with a number of different ‘Jukurrpa’ (Dreaming) stories. Some are even associated with major ceremonies, including the Jardiwarnpa fire ceremony.

Wilma Napangardi Poulson was born in 1970 in Yuendumu, a remote Aboriginal community 290 km from Alice Springs in NT of Australia. She has a sister, Ivy Napangardi Poulson, an artist also working with Warlukurlangu Artists, and a brother who alternates between Darwin and Nyirripi. Wilma went to the local school in Yuendumu, then to Yirara College in Alice Springs. When she finished schooling she returned to Yuendumu. Wilma has been painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, since 2004. She paints several dreamings, but the ones that feature constantly are the Bush Banana Dreaming depicting Vaughan Springs country and the Snake Vine Dreaming relating to Mt Theo area. These Dreamings were passed down to her by her father and his father’s father for millennia. These stories relate to her land, its features and the plants and animals that inhabit it. Wilma was married but her husband passed away. She has no children but loves to take care of her nephew.

All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation.

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All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.

Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.

The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.

A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.

Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art