





Enid Nangala Gallagher, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 30x30cm
Original Artwork from a Community-Run, Not-for-Profit Art Centre, Complete with a Certificate of Authenticity Issued by Them.
Ethical Art Made Easy
Fast & Free Delivery
120-Day Easy Returns (Not That You’ll Need Them)
Colour-Corrected Images
- Details
- Artwork
- Artist
- Authenticity
- Framing
- Aboriginal Artist - Enid Nangala Gallagher
- Community - Yuendumu
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 420/23
- Materials - Acrylic on pre-stretched canvas
- Size(cm) - H30 W30 D3.5
- Postage variants - Artwork posted stretched
- Orientation - Painted from all sides and OK to hang as wished
The country associated with this 'ngapa Jukurrpa' (water Dreaming) is Mikanji, a watercourse west of Yuendumu that is usually dry. There are ‘mulju’ (soakages) in this creek bed. The 'kirda' (owners) of this Dreaming site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Mikanji is an important water Dreaming site, and features in at least three different water Dreaming tracks.
In one story, the water Dreaming travelled from Puyurru, northwest of Yuendumu, to a ‘mulju’ (soakage) in the Mikanji creek. It unleashed a huge storm there. Two old blind women of the Nampijinpa skin group were sitting by the side of the soakages. As the two women strained their eyes to see the sky, tears formed in their eyes, creating the rain. Their spirits can still be seen at Mikanji in the form of two ‘ngapiri’ (river red gums) growing near the soakage.
A second water Dreaming track that passes through Mikanji is also owned by the Nangala/Jangala and Nampijinpa/Jampijinpa subsections, and travels further west. At Mikanji, the storm rained so hard it created a hole in the ground which became a soakage. At Mirawarri a ‘kirrkarlanji’ (brown falcon [Falco berigora]) picked up the storm and carried it on its wings to the west until it became too heavy for it. The falcon eventually dropped the storm at Pirlinyarnu (Mt. Farewell) about 165 km west of Yuendumu, where it formed an enormous ‘maluri’ (claypan). A ‘mulju’ (soakage) exists in this place today.
A third Dreaming track that passes through Mikanji is the story of the water Dreaming and ‘pamapardu Jukurrpa’ (termite Dreaming). This Dreaming travels further north. This water Dreaming is owned by Nakamarra/Napurrurla women and Jakamarra/Jupurrurla men. The termite and water Dreamings travelled together from Warntungurru in the east past Warlura (a waterhole 8 miles east of Yuendumu), Wirnpa, Kanaralji, Ngamangama, and Jukajuka. A portion of this Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The termite Dreaming moved on to the west to Nyirrpi, a community approximately 160 km west of Yuendumu, whereas the water Dreaming travelled on to Mikanji. A ‘kirrkarlanji’ (brown falcon) eventually picked up the water and tied it to its head using hairstring. The falcon travelled north with the water Dreaming; at Puyurru, it flew under a tree and the water fell off of its head, forming a soakage there. The Dreaming then travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.
In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river beds.
Details are currently unavailable
While every gallery can provide a certificate of authenticity, only those issued by community-run Aboriginal Art Centres ensure ethical purchasing and documentation. Any gallery can produce a certificate with an inkjet printer, but these do not guarantee ethical practices if they do not come from an Aboriginal community art centre. Alternate certificates are a big red flag. All of our paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, ensuring the gold standard for ethical purchasing.
We offer a lifetime money-back authenticity guarantee and 120-day returns to ensure you are always getting an authentic piece of art from ART ARK®. Your peace of mind in knowing you are purchasing genuine Aboriginal Art is important to us.
Please find more information on authenticity here: Aboriginal Art Authenticity
This painting arrives to us pre-stretched, allowing us to send it to you while maintaining consistent and transparent pricing related to the prices set by each Aboriginal art centre.
100% ready for your wall, this painting will look fabulous straight out of the box. If you would like to jazz it up further, we have been impressed by the quality of the Anko float frames available at Target and Kmart. They are $11, and you can paint them or leave them as is. Plus, you get a canvas with them to create something of your own.
There are some other options out there but they are poorly made.
Please find further general details and examples relating to framing here: How to Frame Your Aboriginal Art

Supporting Aboriginal Artists
By sharing their culture, remote artists create opportunities for themselves. Buying Aboriginal art ethically supports these artists while bringing warmth and meaning into your home.

Original Art That Will Look Great at Your Place
Beautiful, one-of-a-kind art that fits perfectly into your home. Your purchase supports Aboriginal artists and helps us continue our mission in celebrating and promoting ethical Aboriginal art.
We're confident you will love your artwork, but if it’s not right for any reason, return it within 120 days. Over 1,550 past customers have shared their experiences, and they love their artworks.

Authenticity Certified by Community Art Centres
Only certificates from community-based Aboriginal art centres guarantee ethical sourcing, ensuring your purchase supports the artist and their community. Every ART ARK® piece includes this documentation, offering transparency and trust in its origin. Proof of provenance ensures authenticity and contributes to the artwork’s long-term value.
Learn more about Aboriginal Art Authenticity.

True-to-Life Colour Accuracy
We take the time to ensure your artwork will arrive as shown. Carefully packed, colour-accurate, and ready to love.
Colours are matched as closely as possible, and with returns under 0.2%, our customers are consistently delighted with their artworks.

Framing Aboriginal Art
We keep pricing transparent by delivering artworks without added third-party costs, allowing us to offer free shipping and maintain pricing in accordance with each art centre. Canvas and linen pieces are sent rolled for safe delivery and easy re-stretching at your local framer.
Learn more about Framing Aboriginal Art.

Fast, Free Post
From Tasmania to your doorstep, no matter where you are in the world. Enjoy free domestic shipping on all orders. International shipping is free for orders over $500 AUD, and a flat rate of $30 applies for orders under that amount.
Customs & Duties: Original artworks under tariff 970191(0000) are duty and tax-free when arriving in the United States and Canada. The UK applies a reduced VAT of 5%, France 5.5%, and Germany 7%. Other countries may have different duty rates, so we recommend checking before purchase.
Learn more about Customs and Shipping.