Faye Nangala Hudson, Warlukurlangu Jukurrpa (Fire country Dreaming), 76x46cm

• Aboriginal Artist - Faye Nangala Hudson
• Community - Nyirripi
• Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
• Catalogue number - 8239/23
• Materials - Acrylic on linen
• Size(cm) - H76 W46 D2  
• Postage variants - Artwork posted unstretched and rolled for safe shipping
• Orientation - Painted from all sides and OK to hang as wished. 

This Dreaming belongs to Warlukurlangu country to the south-west of Yuendumu, for which Jampijinpa/Jangala men and Nampijinpa/Nangala women have custodial responsibility. An old man ‘lungkarda’ (centralian blue-tongued lizard [Tiliqua multifasciata]), of the Jampijinpa skin group, lived on a hill with his two Jangala sons. The old man would feign blindness and send the two boys hunting in search of meat. While they were gone he would hunt and eat anything that he caught before they returned. One day the sons returned with a kangaroo that they had caught after much tracking. Unfortunately the kangaroo was sacred to the ‘lungkarda’, unbeknown to the boys. In his anger the old man decided to punish his sons and the next time they went out, he put his fire stick to the ground and sent a huge bush fire after them which chased them for many miles, at times propelling them through the air. Although the boys beat out the flames, ‘lungkarda's’ special magic kept the fire alive and it re-appeared out of his blue-tongued lizard hole. Exhausted the boys were finally overcome by the flames. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. Usually sites that are depicted in paintings of this Jukurrpa include Warlukurlangu (a men's cave), Kirrkirrmanu (where the sacred kangaroo was killed), Wayililinypa (where the fire killed the two Jangala sons) and Marnimarnu (a water soakage) where the two Jangalas camped.

Theo (Faye) Nangala Hudson was born in 1989 in Alice Springs Hospital, the closest hospital to Nyirripi, a remote Aboriginal community located 440 km north-west of Alice Springs in the NT of Australia where her parents lived. She was born to Mika and Ursula Napangardi Hudson and has older twin brothers. Theo attended the local school until she was 14 years.  When she left school she did odd jobs and later joined the Nyirripi Night Patrol, a service that provides safe transportation; diversion from contact with the criminal justice system;  and intervention to prevent disorder in communities. Theo is married and has three children.

Theo began painting with the Warlukurlangu Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu in 2002, when she was 13 years of age. “I would watch my Grandmother paint and listen to her stories”. She began to paint in earnest with the art centre in 2006. Warlukurlangu makes regular visits to Nyirripi to drop off canvas, paint and brushes for the artists and to collect finished artwork. Theo paints her mother’s Jukurrpa (Dreamings) and her father’s Jukurrpa, such as Yuparli Jukurrpa (Bush Banana Dreaming) from her mother’s side and Pikilyi Jukuurpa (Vaughan Springs Dreaming) from her father’s side.  These Dreamings have been passed down through the millennia. Theo uses an unrestricted palette and loves to create patterns that depict a modern interpretation of her traditional culture.

When Theo is not painting and looking after her family she likes to go hunting for Yurrampi (honey ants) and Yuparli (bush banana).

All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation.

We take great pride in offering high-quality, authentic Aboriginal Art pieces to you and in addition to our 120-day returns(they don't come back), we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present.

This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork ever sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that you are getting what you expect.

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All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.

Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.

The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.

A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.

Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art