Narelle Nangala Brown, Watiya-warnu Jukurrpa (Seed Dreaming), 30x30cm
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- Details
- Artwork
- Artist
- Authenticity
- Framing
- Aboriginal Artist - Narelle Nangala Brown
- Community - Yuendumu
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 5784/23
- Materials - Acrylic on pre-stretched canvas
- Size(cm) - H30 W30 D2
- Postage variants - Artwork is posted stretched and ready to hang
- Orientation - Painted from all sides and OK to hang as wished
This painting tells the story of a Jangala ‘watiya-warnu’ (Acacia tenuissima) ancestor who travelled south from a small hill called Ngurlupurranyangu to Yamunturrngu (Mount Liebig). As he travelled he picked the ‘watiya-warnu’ seeds and placed them in ‘parrajas’ (food carriers), one of which he carried on his head. Watiya-warnu is a seed bearing tree that grows in open spinifex or mulga country. When people returned to their camp after collecting the seeds they would make large windbreaks for shelter and winnow the seed in the late afternoon. Immature ‘watiya-warnu’ seed is ground into a paste and can be used to treat upset stomachs. The associated ‘watiya-warnu’ ceremony involves the preparation of a large ground painting. This Jukurrpa belongs to Nampijinpa/Nangala women and Jampijinpa/Jangala men. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. In paintings of this Dreaming ‘U’ shapes are often depicting women collecting the ‘watiya-warnu’ seeds. Oval shapes represent the ‘parrajas’ where they carry the seeds and strait lines beside them frequently portrait digging sticks.
Narelle Nangala Brown was born in 1987 in Alice Springs Hospital, the closest hospital to Yuendumu, a remote Aboriginal community located 290 km north-west of Alice Springs in the NT of Australia. She is the daughter of Veronica Napangardi Martin and Ernest Japanangka Brown, and the granddaughter of Peggy Nampijinpa Brown, a respected Warlpiri woman in the Yuendumu community, receiving the Order of the Australia Medal in 2007 for her work in the successful Petrol sniffing program. Peggy is also a well-known artist in her own right. When Narelle was young she watched her grandmother paint and listened to her stories. Narelle went to Yuendumu local school with her sister Anita Brown. These days she is busy with her two daughters born in 2009 and 2014 respectively.
Narelle has been painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, since 2008. She paints her grandmother’s Watiya-Warnu Jukurrpa (Seed Dreaming) and her parents Ngapa Jukurrpa (Water Dreaming). ‘Dreamings’ that relate directly to her land, its features and the plants and animals that inhabit it. These stories have been passed down to her by her parents and their parents before them for millennia. Initially she used traditional iconography but over time she has developed an individualistic style using an unrestricted palette, and pattern and design in a variety of contexts to depict her traditional jukurrpa.
While every gallery can provide a certificate of authenticity, only those issued by community-run Aboriginal Art Centres ensure ethical purchasing and documentation. Any gallery can produce a certificate with an inkjet printer, but these do not guarantee ethical practices if they do not come from an Aboriginal community art centre. Alternate certificates are a big red flag. All of our paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, ensuring the gold standard for ethical purchasing.
We offer a lifetime money-back authenticity guarantee and 120-day returns to ensure you are always getting an authentic piece of art from ART ARK®. Your peace of mind in knowing you are purchasing genuine Aboriginal Art is important to us.
Please find more information on authenticity here: Aboriginal Art Authenticity
This painting arrives to us pre-stretched, allowing us to send it to you while maintaining consistent and transparent pricing related to the prices set by each Aboriginal art centre.
100% ready for your wall, this painting will look fabulous straight out of the box. If you would like to jazz it up further, we have been impressed by the quality of the ANKO float frames available at Target and Kmart. They are $11, and you can paint them or leave them as is. Plus, you get a canvas with them to create something of your own.
There are some other options out there but they are poorly made.
Please find further general details and examples relating to framing here: How to Frame Your Aboriginal Art
Original Aboriginal Art You Can Be Proud to Own
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While certificates of authenticity are common, only those from community-based Aboriginal art centres provide assurance of ethical sourcing and documentation. Certificates issued by non-community galleries do not reflect ethical practices, so it's essential to check the origin.
At ART ARK®, every artwork includes a certificate of authenticity issued by the community-run art centre where it was created. Learn more about Aboriginal Art Authenticity.
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Bark paintings and pre-stretched artworks arrive ready to hang. Other canvas or linen paintings can be easily stretched at your local framer. Watercolours should be framed behind glass, either in a custom or pre-made frame. Learn more about Framing Aboriginal Art.
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