Selina Napanangka Fisher, Pikilyi Jukurrpa (Vaughan Springs Dreaming), 40x40cm

• Aboriginal Artist - Selina Napanangka Fisher
• Community - Nyirripi
• Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
• Catalogue number - 6407/22
• Materials - Acrylic on pre-stretched canvas
• Size(cm) - H40 W40 D3.5
• Postage variants - This work is posted stretched and ready to hang
• Orientation - Painted from all sides and OK to hang as wished

Pikilyi is a large and important waterhole and natural spring near Mount Doreen station. Pikilyi Jukurrpa (Vaughan Springs Dreaming) tells of the home of two rainbow serpents, ancestral heroes who lived together as man and wife. The woman ‘rainbow serpent’ was of the Napanangka skin group, the man was a Japangardi. This was a taboo relationship contrary to Warlpiri religious law. Women of the Napanangka and Napangardi subsection sat by the two serpents, picking lice off them. For this service, the two serpents allowed the women to take water from the springs at Pikilyi. This was because the serpents were the ‘kirda’, or ceremonial owners, for that country. The spirits of these two rainbow serpents are still at Pikilyi today. This Dreamings belongs to the women and men of the Japanangka/Napanangka and Japangardi/Napangardi skin groups.

Selina Napanganka Fisher was born in Alice Springs Hospital, the closest hospital to Yuendumu, a remote Aboriginal community 290 km north-west of Alice Springs in the NT of Australia. At the time her parents were living in Yuendumu. She has three sisters and two brothers. Her Mum has since passed away and her father now lives Mt Allen with “another wife”. Selina is the granddaughter of the late Topsy Napurrurla Fisher, an established artist with Warlukurlangu Artists. Selina went to the local Yuendumu School before going to Yirara College, an Aboriginal boarding college in Alice Springs, where she graduated in Year 10. When she finished school, she moved to Nyirripi, where she worked in the local store. She is married to Lance Tanner, who works for the Community Development Employment Project (CDEP). They have three children.

While every gallery can provide a certificate of authenticity, only those issued by community-run Aboriginal Art Centres ensure ethical purchasing and documentation. Any gallery can produce a certificate with an inkjet printer, but these do not guarantee ethical practices if they do not come from an Aboriginal community art centre. Alternate certificates are a big red flag. All of our paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, ensuring the gold standard for ethical purchasing.

We offer a lifetime money-back authenticity guarantee and 120-day returns to ensure you are always getting an authentic piece of art from ART ARK®. Your peace of mind in knowing you are purchasing genuine Aboriginal Art is important to us.

Please find more information on authenticity here: Aboriginal Art Authenticity

This painting arrives to us pre-stretched, allowing us to send it to you while maintaining consistent and transparent pricing related to the prices set by each Aboriginal art centre.

100% ready for your wall, this painting will look fabulous straight out of the box. If you would like to jazz it up further, we have been impressed by the quality of the Anko float frames available at Target and Kmart. They are $11, and you can paint them or leave them as is. Plus, you get a canvas with them to create something of your own. 

There are some other options out there but they are poorly made.

Please find further general details and examples relating to framing here: How to Frame Your Aboriginal Art