Joy Nangala Brown, Yumari Jukurrpa, 107x61cm
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- Aboriginal Artist - Joy Nangala Brown
- Community - Nyirripi
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 2712/23
- Materials - Acrylic paint on linen
- Size(cm) - H107 W61 D2
- Postage variants - Artwork posted un-stretched and rolled for safe shipping
- Orientation - Painted from all sides and OK to hang as wished
The site for this Dreaming is Yumari, a collection of rocks west of Kintore in the Gibson Desert. Yumari is the site of a forbidden love union between a Japaljarri man and a Nangala woman. This Dreaming was passed down to the artist by a Pintupi man. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, associated sites and other elements. In this work concentric circles are often used to represent ‘warnirri’ (rock holes).
Joy Nangala Brown was born in Alice Springs Hospital on the 4th of July, 1966. She spent most of her childhood at Yuendumu, although did several years of schooling in Alice Springs at Yirara College. Joy moved to Nyirrpi in the early 1980's, and has lived there ever since, although she travels back and forth to Yuendumu to visit family. Joy is the daughter of the successful Pintupi artist Pegleg Jampijinpa, and grew up with his art work around her. She is married to Jay Jay Spencer, the adopted son of another highly successful artist from Yuendumu, Paddy Japaljarri Stewart. They have two children, a daughter and son and grandchildren. Her daughter Debbie Napaljarri Brown also paints with Warlukurlangu Artists. Joy has been painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, since 2006. Joy paints her Father’s and Grandfather’s Jukurrpa stories, Dreamings passed down to her by her mother and father, who in turn received them from their parents. They relate directly to the land and its features, and the plants and animals that live on it. Joy enjoys hunting for goannas and bush tucker, playing cards and singing in the church choir in her spare time.
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All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.
Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.
The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.
A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.
Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art
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Our canvas and linen paintings are sent rolled for easy re-stretching at your local framer. Bark paintings and smaller works in our Stretched Desert Paintings collection arrive ready to hang. Watercolours should be framed behind glass, whether in a custom or pre-made frame. Learn more about Framing Aboriginal Art.
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