Mervyn Rubuntja, Tjoritja (West MacDonnell Ranges), 54.5x35.5cm

• Aboriginal Artist - Mervyn Rubuntja
• Community - Hermannsburg
• Aboriginal Art Centre - Iltja Ntjarra / Many Hands Art Centre
• Catalogue number - WAC332-23
• Materials - Watercolour paint on watercolour paper  
• Painted Size(cm) - H54.5 W35.5
• Postage variants - Artwork is posted flat and unframed
• Orientation - As displayed

This is a landscape of Rutjipma (Mt Sonder), in the Northern Territory of Australia.

Mervyn was born at the Telegraph Station in Alice Springs. His mother Cynthia (Kamara) Obitja was a Western Aranda woman. His father was the late Mr Wenten Rubuntja Pengarte a famous painter.

His father was an important role model for Mervyn. He was a senior lawman and a respected member of his community. He fought for Aboriginal rights and protection of the land working alongside the Central Land Council and assisted in the Mabo agreement.

Mervyn has followed in his father’s footsteps painting in the watercolour style that his father taught him. When Mervyn was 13 years old his family moved to Hermannsburg this is where he first saw watercolour paintings as he watched his uncles Maurice, Oscar and Keith Namatjira painting like their father Albert. Arnulf Ebatarinja another uncle kindled Mervyn’s painting talent when he gave him some watercolour paperboard and taught him to paint.

Mervyn’s family moved back to Alice Springs in 1975 and he began to paint with Basil Rantji who taught him how to mix colours.

In 2006 Mervyn was invited to submit a painting for the “Mornington Peninsular Works on Paper” Exhibition. In 2013 he was invited to participate at the seminar “Presences in the Art of Rex Battarbee and Albert Namatjira” at the State Library of NSW. In the 2021 NATSIAA Awards Mervyn Rubuntja and Hubert Pareroultja won the Wandjuk Marika 3D Memorial Award for their work Through the Veil of Time.

Iltja Ntjarra / Many Hands Art Centre is proudly Aboriginal owned and directed. It is the home of the Namatjira watercolour artists. The Art Centre was established by Ngurratjuta/Pmara Ntjarra Aboriginal Corporation and started operating in 2004, as a not-for-profit Art Centre to provide a place for Arrernte Artists to come together to paint, share and learn new techniques and ideas. The Art Centre is strongly committed to improving economic participation of Aboriginal people and maintaining cultural heritage.

Iltja Ntjarra has a special focus on supporting the ‘Hermannsburg School’ style watercolour artists, who continue to paint in the tradition of their grandfather and relative, Albert Namatjira, arguably one of Australia’s most famous artists of the 20^th century. Albert Namatjira taught his children to follow in his unique style, who have since passed this knowledge on to their children, which has resonated in a legacy of watercolour artists in the Central Desert region. By continuing his legacy, these artists sustain an important piece of living history.

Iltja Ntjarra is proud of its ethical work practices and aims to return the greatest possible percentage of sales to the artist.

In June 2016, Iltja Ntjarra Aboriginal Corporation (ICN 8426) was newly incorporated by the Arrernte Artists associated with the Art Centre and in August 2016, the Ngurratjuta/Pmara Ntjarra Aboriginal Corporation transferred the not-for-profit Art Centre business to Iltja Ntjarra Aboriginal Corporation.

Iltja Ntjarra acknowledges the role of Ngurratjuta/Pmara Ntjarra Aboriginal Corporation to the establishment and development of the Art Centre and thanks it for its ongoing support.

The things that are most important to us are:

• The watercolour painting style
• The watercolour painting style
• To welcome all landscape artists to paint with us
• To welcome and encourage youth to paint with us
• To pass down stories about our country and culture
• To teach about the legacy of the Hermannsburg School of Watercolour art movement
• To tell stories of learning from our grandfather and relative Albert Namatjira
• To support and keep culture strong
• To promote the effective and ethical sale of artworks
• To provide increased economic benefit directly to the artists through sales, professional development, exhibitions and marketing

Test courtesy, Iltja Ntjarra / Many Hands Art Centre

All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation.

We take great pride in offering high-quality, authentic Aboriginal Art pieces to you and in addition to our 120-day returns(they don't come back), we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present.

This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork ever sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that you are getting what you expect.

We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If at any time you have any concerns whatsoever about the authenticity of any art piece, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork sold by us we will promptly provide a full refund to you at any time in the future, be it in one year, or in ten!

Please find more information on authenticity here: https://artark.com.au/pages/aboriginal-art-authenticity

All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.

Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide a timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.

The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.

A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.

Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art