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Aboriginal art: is it a white thing?

Richard Bell, Scientia E Metaphysica (Bell’s Theorem) 2003, Acrylic on canvas, 240 x 540cm. Milani Gallery. In 2002 Bell decried how the white-controlled Aboriginal art industry privileged art from remote areas as more “authentic” than that from urban areas. Vernon Ah Kee, another successful artist in Milani’s gallery, agrees: urban Aborigines “are as much Aboriginal as anybody else” and, adds Bell, “we paid the biggest price” for colonisation.

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