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Andrea Napanangka Tasman, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 30x30cm
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  • Aboriginal Art by Andrea Napanangka Tasman, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 30x30cm - ART ARK®
  • Aboriginal Art by Andrea Napanangka Tasman, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 30x30cm - ART ARK®
  • Aboriginal Art by Andrea Napanangka Tasman, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 30x30cm - ART ARK®
  • Aboriginal Art by Andrea Napanangka Tasman, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 30x30cm - ART ARK®
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Aboriginal Art by Andrea Napanangka Tasman, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 30x30cm - ART ARK®
Aboriginal Art by Andrea Napanangka Tasman, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 30x30cm - ART ARK®
Aboriginal Art by Andrea Napanangka Tasman, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 30x30cm - ART ARK®
Aboriginal Art by Andrea Napanangka Tasman, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 30x30cm - ART ARK®

Andrea Napanangka Tasman, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 30x30cm

$145.00

Original Work of Art (they all are!)

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  • Artist - Andrea Napanangka Tasman
  • Community - Yuendumu
  • Art Centre/Community organisation - Warlukurlangu Artists Aboriginal Corporation
  • Catalogue number - 5126/17
  • Materials - Acrylic on pre-stretched canvas
  • Size(cm) - H30 W30 D3.5
  • Postage variants - Artwork is posted stretched and ready to hang
  • Orientation - Painted from all sides and OK to hang as wished

The country associated with this 'ngapa Jukurrpa' (water Dreaming) is Mikanji, a watercourse west of Yuendumu that is usually dry. There are ‘mulju’ (soakages) in this creek bed. The 'kirda' (owners) of this Dreaming site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Mikanji is an important water Dreaming site, and features in at least three different water Dreaming tracks.

In one story, the water Dreaming travelled from Puyurru, northwest of Yuendumu, to a ‘mulju’ (soakage) in the Mikanji creek. It unleashed a huge storm there. Two old blind women of the Nampijinpa skin group were sitting by the side of the soakages. As the two women strained their eyes to see the sky, tears formed in their eyes, creating the rain. Their spirits can still be seen at Mikanji in the form of two ‘ngapiri’ (river red gums) growing near the soakage.

A second water Dreaming track that passes through Mikanji is also owned by the Nangala/Jangala and Nampijinpa/Jampijinpa subsections, and travels further west. At Mikanji, the storm rained so hard it created a hole in the ground which became a soakage. At Mirawarri a ‘kirrkarlanji’ (brown falcon [Falco berigora]) picked up the storm and carried it on its wings to the west until it became too heavy for it. The falcon eventually dropped the storm at Pirlinyarnu (Mt. Farewell) about 165 km west of Yuendumu, where it formed an enormous ‘maluri’ (claypan). A ‘mulju’ (soakage) exists in this place today.

A third Dreaming track that passes through Mikanji is the story of the water Dreaming and ‘pamapardu Jukurrpa’ (termite Dreaming). This Dreaming travels further north. This water Dreaming is owned by Nakamarra/Napurrurla women and Jakamarra/Jupurrurla men. The termite and water Dreamings travelled together from Warntungurru in the east past Warlura (a waterhole 8 miles east of Yuendumu), Wirnpa, Kanaralji, Ngamangama, and Jukajuka. A portion of this Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The termite Dreaming moved on to the west to Nyirrpi, a community approximately 160 km west of Yuendumu, whereas the water Dreaming travelled on to Mikanji. A ‘kirrkarlanji’ (brown falcon) eventually picked up the water and tied it to its head using hairstring. The falcon travelled north with the water Dreaming; at Puyurru, it flew under a tree and the water fell off of its head, forming a soakage there. The Dreaming then travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.

In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river beds.

Andrea Napanangka Tasman was born on 13 December 1979 in Darwin Hospital, the closest hospital to Lajamanu, a remote aboriginal community in semi-arid country on the edge of the Tanami Desert, halfway between Darwin and Alice Springs. Her parents were living there at the time but in 1986 they returned to Yuendumu. Andrea attended Kormilda College, an Aboriginal boarding college in Darwin. When Andrea finished school she returned to Yuendumu where she worked at Centre Link as a clerk. She currently works for Yuendumu School in the Sport Academy, training Junior School students. Andrea is married and has three children, two sons and one daughter.

Andrea has been painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, since 2004. She paints her father’s Jukurrpa stories, Yarla Jukurrpa (Bush Potato Dreaming) and her mother’s Jukurrpa stories, Ngapa Jukurrpa (Water Dreaming). These stories relate directly to her land, its features and the plants and animals that inhabit it. They have been passed down to her by her parents and their parents before them for millennia. Andrea learnt to paint by watching her Mum paint and finds it very rewarding. She uses an unrestricted palette to develop a modern interpretation of her traditional culture, a culture she wants to maintain.

When Andrea is not working or painting she plays basketball, which takes her to sport festivals in other communities such as Lajamanu and Nyirripi. Andrea also likes to go hunting with her family on weekends.