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Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm
  • Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm
  • Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm
  • Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm
  • Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm
  • Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm
Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm
Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm
Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm
Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm
Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm

Jillian Nampijinpa Brown, Ngapa Jukurrpa (Water Dreaming) - Mikanji, 91x61cm

$799.00
  • Aboriginal Artist - Jillian Nampijinpa Brown
  • Community - Yuendumu  
  • Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation  
  • Catalogue number - 1648/19
  • Materials - Acrylic on linen 
  • Size(cm) - H91 W61 D2  
  • Postage - Artwork posted un-stretched and rolled for safe shipping
  • Orientation - Painted from all sides and OK to hang as wished

The country associated with this 'ngapa Jukurrpa' (water Dreaming) is Mikanji, a watercourse west of Yuendumu that is usually dry. There are ‘mulju’ (soakages) in this creek bed. The 'kirda' (owners) of this Dreaming site are Nangala/Nampijinpa women and Jangala/Jampijinpa men. Mikanji is an important water Dreaming site, and features in at least three different water Dreaming tracks.

In one story, the water Dreaming travelled from Puyurru, northwest of Yuendumu, to a ‘mulju’ (soakage) in the Mikanji creek. It unleashed a huge storm there. Two old blind women of the Nampijinpa skin group were sitting by the side of the soakages. As the two women strained their eyes to see the sky, tears formed in their eyes, creating the rain. Their spirits can still be seen at Mikanji in the form of two ‘ngapiri’ (river red gums) growing near the soakage.

A second water Dreaming track that passes through Mikanji is also owned by the Nangala/Jangala and Nampijinpa/Jampijinpa subsections, and travels further west. At Mikanji, the storm rained so hard it created a hole in the ground which became a soakage. At Mirawarri a ‘kirrkarlanji’ (brown falcon [Falco berigora]) picked up the storm and carried it on its wings to the west until it became too heavy for it. The falcon eventually dropped the storm at Pirlinyarnu (Mt. Farewell) about 165 km west of Yuendumu, where it formed an enormous ‘maluri’ (claypan). A ‘mulju’ (soakage) exists in this place today.

A third Dreaming track that passes through Mikanji is the story of the water Dreaming and ‘pamapardu Jukurrpa’ (termite Dreaming). This Dreaming travels further north. This water Dreaming is owned by Nakamarra/Napurrurla women and Jakamarra/Jupurrurla men. The termite and water Dreamings travelled together from Warntungurru in the east past Warlura (a waterhole 8 miles east of Yuendumu), Wirnpa, Kanaralji, Ngamangama, and Jukajuka. A portion of this Dreaming track also includes the ‘kurdukurdu mangkurdu Jukurrpa’ (children of the clouds Dreaming). The termite Dreaming moved on to the west to Nyirrpi, a community approximately 160 km west of Yuendumu, whereas the water Dreaming travelled on to Mikanji. A ‘kirrkarlanji’ (brown falcon) eventually picked up the water and tied it to its head using hairstring. The falcon travelled north with the water Dreaming; at Puyurru, it flew under a tree and the water fell off of its head, forming a soakage there. The Dreaming then travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north.

In contemporary Warlpiri paintings, traditional iconography is used to represent the ‘Jukurrpa’ (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent ‘mangkurdu’ (cumulus & stratocumulus clouds), and longer, flowing lines represent ‘ngawarra’ (flood waters). Small circles are used to depict ‘mulju’ (soakages) and river beds.

Jillian Nampijinpa Brown was born in 1975 in Alice Springs Hospital, the closest hospital to Yuendumu, a remote Aboriginal community located 290 km north-west of Alice Springs in the NT of Australia. She spent her childhood in Yuendumu, attending school at both Yuendumu and Yirara College, an Aboriginal boarding college in Alice Springs. For a long time, Jillian worked at the Yuendumu Child Care Centre, but she now paints full time and takes care of her children and her family's children. Jillian has been painting with Warlukurlangu Artists Aboriginal Corporation since 1999, an Aboriginal owned and governed art centre located in Yuendumu. She paints her father’s Jukurrpa, Dreamings that relate to her land, its features, and animals. These stories were passed down to her by father, who received them from his parents. Jillian uses an unlimited palette and traditional iconography, at the same time developing a contemporary individualistic style to depict her traditional Jukurrpa.




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