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  • Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 91x61cm
  • Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 91x61cm
  • Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 91x61cm
  • Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 91x61cm
  • Aboriginal Art | Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming)-  Mawurrji, 30x30cm
Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 91x61cm
Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 91x61cm
Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 91x61cm
Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 91x61cm
Aboriginal Art | Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming)-  Mawurrji, 30x30cm

Judith Nungarrayi Martin, Janganpa Jukurrpa (Brush-tail Possum Dreaming) - Mawurrji, 91x61cm

$749.00
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  • Aboriginal Artist - Judith Nungarrayi Martin
  • Community - Nyirripi  
  • Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation  
  • Catalogue number - 6673/16
  • Materials - Acrylic on linen
  • Size(cm) - H91 W61 D2
  • Postage variants - Artwork posted un-stretched and rolled for safe shipping

 

Janganpa Jukurrpa (common brush-tail possum [Trichosurus vulpecula] Dreaming) travels all over Warlpiri country. ‘Janganpa’ are nocturnal animals that often nest in the hollows of white gum trees (‘wapunungka’). This story comes from a big hill called Mawurrji, west of Yuendumu and north of Pikilyi (Vaughan Springs). A group of ‘janganpa’ ancestors resided there. Every night they would go out in search of food. Their hunting trips took them to Wirlki and Wanapirdi, where they found ‘pamapardu’ (flying ants). They journeyed on to Ngarlkirdipini looking for water. A Nampijinpa women was living at Mawurrji with her two daughters. She gave her daughters in marriage to a Jupurrurla ‘janganpa’ but later decided to run away with them. The Jupurrurla angrily pursued the woman. He tracked them to Mawurrji where he killed them with a stone axe. Their bodies are now rocks at this place. Warlpiri people perform a young men’s initiation ceremony, which involves the Janganpa Jukurrpa. The Janganpa Jukurrpa belongs to Jakamarra/Jupurrurla men and Nakamarra/Napurrurla women. In Warlpiri paintings traditional iconography is used to represent this Jukurrpa. ‘Janganpa’ tracks are often represented as 'E' shaped figures and concentric circles are used to depict the trees in which the ‘janganpa’ live, and also the sites at Mawurrji.

Judith Nungarrayi Martin was born in 1976 in Alice Springs Hospital, the closest hospital to Yuendumu, a remote Aboriginal community 290 km north-west of Alice Springs in the Northern Territory of Australia. Judith comes from a family of artists. Her mother is Helen Nampijinpa Robertson and her grand-father is Shorty Jangala Robertson, both well-known artist who paint for Warlukurlanga Artists. She attended the local school in Yuendumu before studying at Yirara College, an Aboriginal boarding College in Alice Springs. When she finished school she returned to Yuendumu. She moved to Nyrripi in 1991 where she later married a ‘Nyrripi boy’. They have 3 sons and 1 daughter.

Judith has been painting with the Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, since 1994. As a young child she would watch her family paint and listen to their stories.  Although her production of artwork was initially sporadic – she began to paint full time when she had her sons and daughter.  “I wanted to paint the stories to teach my kids”.  

Judith paints her father’s Jukurrpa (Dreamings), that include Janganpa Jukurrpa (Brush Tail Possum Dreaming) and Yankirri Jukurrpa (Emu Dreaming). These Dreamings have been passed down through the generations for millennia and relate directly to the land, its features and the animals and plants that inhabit it. She has exhibited in group exhibitions in Melbourne, Sydney and Japan.  She uses an unrestricted palette to develop a modern interpretation of her traditional culture.