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Magda Nakamarra Curtis, Lappi Lappi Jukurrpa, 183x61cm
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- Aboriginal Artist - Magda Nakamarra Curtis
- Community - Nyirripi
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 7985/22
- Materials - Acrylic paint on linen
- Size(cm) - H183 W61 D2
- Postage variants - Artwork is posted un-stretched and rolled for safe shipping
- Orientation - Painted from all sides and OK to hang as wished
The subject of this work is Lappi Lappi, a rock hole near Lake Hazlett, about 90 km northwest of Lake Mackay in Western Australia. The country belongs to Nampijinpa/Jampijinpa and Nangala/Jangala skin groups. Located in a sheltered basin, the rock hole at Lappi Lappi is a permanent source of water, and is surrounded by country rich in bush tucker. In the time of the Jukurrpa (Dreamtime) many mothers with young children would gather there because it was a safe place to stay. The rock hole at Lappi Lappi is home to a ‘warnayarra’, a rainbow serpent that travels underground between various rock holes. One day, women were gathered at the rock hole with their children, singing and dancing. When the ‘warnayarra’ heard the sound of voices, it travelled silently towards them, under the water. When it reached the edge of the rock hole, it rose out of the water and ate them all.
Magda Nakamarra Curtis was born in Alice Springs Hospital, and spent most of her childhood at Nyirripi, a remote Aboriginal community located 450 km north-west of Alice Springs in the NT of Australia. She attended her local school, then Yirara College, an Aboriginal boarding college in Alice Springs. Magda continued her studies at Bachelor College before travelling around the Kimberleys in WA. On her travels she stayed at Balgo, where she first started painting when she was 19 years old. Magda is married to Paul Nelson and now lives in Nyirripi. When Magda returned home to her family she began painting with the Warlukurlangu Artists in 2004. Her mother Kelly Napanangka Michaels, who lives in Yuendumu and her Aunty Alice Nampijinpa Henwood Michaels, who lives in Nyirripi also paint with Warlukurlangu Artists and have been painting there since 1987 and 1989 respectively. Warlukurlangu Artists Aboriginal Corporation is an Aboriginal owned and governed art centre located in Yuendumu. As a child living in Nyirripi, Magda would often watch her grandmothers and grandfathers paint and listen to them as they told her stories of their country. Her Grandparents have passed away since but her Big Sister Mary Anne Nampijinpa Michaels is like a Grandmother to her. She likes painting her Bib Sister’s dreaming, Lappi Lappi Jukurrpa, a rock hole in country belonging to her grandmother. Besides painting Lappi Lappi Jukurrpa, Magda paints her Ngapa Jukurrpa (Water Dreaming) Jajiidi Jukurrpa (Western Quoll Dreaming) and Wardapi Jukurrpa (Goanna Dreaming), Dreamings which relate directly to her land, its features and animals. When not painting Magda loves spending time hunting for goannas and traditional bush foods in the countryside around Nyirripi and Yuendumu.
We take great pride in offering high-quality, authentic Aboriginal Art pieces to you. However, we are aware that there have been instances (and recent press relating to the unaffiliated APYACC) in the Aboriginal Art market where the authenticity of some artworks has been called into question. We want to assure you and all of our customers that we firmly stand behind the authenticity of every artwork we sell.
In addition to our extended 120 days standard returns, we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present. This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that they are getting what you paid for.
As part of our commitment to authentic Aboriginal Art, we work with reputable Aboriginal Art centres that we know are committed to maintaining the integrity of Aboriginal Art. Additionally, we continually monitor all aspects of the Aboriginal Art market and are acutely aware of, and are proactive in addressing any issues arising.
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