Polly Anne Napangardi Dixon, Mina Mina Dreaming - Ngalyipi, 30x30cm
Original Work of Art (they all are!)
Certified by Community Art Centre
Fast & Free Delivery
120 Day Returns
Authenticity Guarantee
Colour Correct Images
1510+ Reviews
- Details
- Artwork
- Artist
- Aboriginal Artist - Polly Anne Napangardi Dixon
- Community - Yuendumu
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 6404/19
- Materials - Acrylic on pre-stretched canvas
- Size(cm) - H30 W30 D3.5
- Postage variants - Artwork is posted stretched and ready to hang
- Orientation - Painted from all sides and OK to hang as wished
This ‘Jukurrpa’ (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina.
In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngami’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to bind cuts.
The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like ‘jintiparnta’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland.
In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks).
Polly Anne Napangardi Dixon was born in 1980 in Darwin although her parents lived in Lajamanu, an Aboriginal community in semi-arid country on the edge of the Tanami Desert, halfway between Darwin and Alice Springs in the NT of Australia. In the early 80s, when Polly Anne was a little girl, they moved to Yuendumu. She has two sisters and one brother. Her parents passed away several years ago and both her grandparents have passed away. Polly Anne went to Yuendumu Primary School then to Kormilda College, an Aboriginal boarding college in Darwin. When she finished her schooling she returned to Yuendumu where she worked as a receptionist for the Central Desert Shire (CDS), Centrelink/Council. When the office closed Polly Anne moved to Kalkaringi and from 2002 to 2005 worked on the Mount Theo Youth Program. Through her work she has traveled to Melbourne where she attended a workshop on youth funding for NT; and Canberra, Sydney, Adelaide and Ballarat. She also worked for PAW Media and Communications in camera and film editing, but now paints full time. In 2006 she met and married Cedric King. Polly Anne has two daughters from a previous relationship and two sons with Cedric. Polly Anne has been painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, since 2006. Both her parents painted. She finds painting exciting, “I love the colours, and on weekends, when my kids are asleep, I paint Mina Mina Jukurrpa, Dreaming relating to Janyinki, my father’s country. When I was little my father took me there.” When Polly Anne is not painting she likes to go bushwalking with her friends and “I like to Google and see the outside – the other side of the world.”
Original Aboriginal Art You’ll Love to Own
Your artwork will arrive promptly, just as shown online—colour-accurate, carefully packed, and with an authenticity certificate from a community-based art centre. Plus, enjoy free delivery and 120-day returns for a seamless, ethical purchase.
Worldwide Delivery
Shipping from Launceston, Tasmania (Lutruwita), to your doorstep, wherever you are. For international orders under $500 AUD, a $30 AUD postage fee applies; otherwise, shipping is free.
Authenticity You Can Trust
Only certificates from community-based Aboriginal art centres guarantee ethical sourcing. Every ART ARK® piece includes this authentic documentation. Learn more about Aboriginal Art Authenticity.
Framing Aboriginal Art
To keep pricing transparent, we deliver artworks as they come to us—unframed and priced in accordance with each art centre. Canvas and linen pieces are rolled for easy re-stretching at your local framer. Bark paintings and smaller items from our Stretched Desert Paintings collection arrive ready to hang. Watercolours should be framed behind glass, either custom or pre-made. Learn more about Framing Aboriginal Art.
Customer Praise
Our customers love our fast deliveries, the accuracy of our images, and our ethical business model. See our Customer Reviews to learn more.