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Susie Nangala Watson, Mina Mina Dreaming, 40x40cm
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  • Aboriginal Art by Susie Nangala Watson, Mina Mina Dreaming, 40x40cm - ART ARK®
  • Aboriginal Art by Susie Nangala Watson, Mina Mina Dreaming, 40x40cm - ART ARK®
  • Aboriginal Art by Susie Nangala Watson, Mina Mina Dreaming, 40x40cm - ART ARK®
  • Aboriginal Art by Susie Nangala Watson, Mina Mina Dreaming, 40x40cm - ART ARK®
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Aboriginal Art by Susie Nangala Watson, Mina Mina Dreaming, 40x40cm - ART ARK®
Aboriginal Art by Susie Nangala Watson, Mina Mina Dreaming, 40x40cm - ART ARK®
Aboriginal Art by Susie Nangala Watson, Mina Mina Dreaming, 40x40cm - ART ARK®
Aboriginal Art by Susie Nangala Watson, Mina Mina Dreaming, 40x40cm - ART ARK®

Susie Nangala Watson, Mina Mina Dreaming, 40x40cm

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Original Work of Art (they all are!) from a Community-Run Art Centre, accompanied by their Certificate of Authenticity.

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  • Aboriginal Artist - Susie Nangala Watson
  • Community - Yuendumu  
  • Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation  
  • Catalogue number - 4068/22
  • Materials - Acrylic on pre-stretched canvas
  • Size(cm) - H40 W40 D3.5
  • Postage variants - Artwork is posted stretched and ready to hang
  • Orientation - Painted from all sides and OK to hang as wished

This ‘Jukurrpa’ (Dreaming) comes from Mina Mina, a very important women’s Dreaming site far to the west of Yuendumu near Lake Mackay and the WA border. The ‘kirda’ (owners) of this Dreaming are Napangardi/Napanangka women and Japangardi/Japanangka men; the area is sacred to Napangardi and Napanangka women. There are a number of ‘mulju’ (water soakages) and a ‘maluri’ (clay pan) at Mina Mina.

In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngami’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to bind cuts.

The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like ‘jintiparnta’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland.

In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks).

Susie Nangala Watson was born in Yuendumu, a remote Aboriginal settlement 290 kms northwest of Alice Springs. She went to the local high school and has lived there most of her life. She is the daughter of the renowned artist, Judy Napangardi Watson. She has lived for long periods of time in Lajamanu and often spends time in Balgo where she also has family. Susie is married and has three children. She has been painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, since 2000. She paints the stories that are directly related to her traditional country. Susie uses bold bright colours, building on traditions that stretch back at least fifty millennia, while developing a modern individualistic style to depict her traditional Jukurrpa.

We take great pride in offering high-quality, authentic Aboriginal Art pieces to you. However, we are aware that there have been instances (and recent press relating to the unaffiliated APYACC) in the Aboriginal Art market where the authenticity of some artworks has been called into question. We want to assure you and all of our customers that we firmly stand behind the authenticity of every artwork we sell.

In addition to our extended 120 days standard returns, we are pleased to offer a lifetime money-back authenticity guarantee to all customers who purchase Aboriginal Art from us, both past and present. This guarantee covers any disrepute or wrongdoing in association with the authenticity of any Aboriginal artwork sold by ART ARK®. We understand that purchasing authentic Aboriginal Art is important to you, and we want to provide you with peace of mind in knowing that they are getting what you paid for.

As part of our commitment to authentic Aboriginal Art, we work with reputable Aboriginal Art centres that we know are committed to maintaining the integrity of Aboriginal Art. Additionally, we continually monitor all aspects of the Aboriginal Art market and are acutely aware of, and are proactive in addressing any issues arising.

We take the authenticity of Aboriginal Art seriously and are committed to providing you with high-quality and genuine works of art. If you have any concerns about the authenticity of any art piece you purchased from us, please do not hesitate to contact us and we will investigate further. If we find any wrongdoing or disrepute in regards to the provenance or authenticity of any artwork we have sold we will happily provide a full refund to you at any time in the future outside of our standard returns policy. 

Thank you for choosing ART ARK® for your Aboriginal Art purchasing. We are honoured to provide you with authentic, high-quality art pieces and look forward to continuing to serve you.