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Tess Napaljarri Ross, Wardapi Jukurrpa (Goanna Dreaming) - Yarripurlangu, 30x30cm
  • Tess Napaljarri Ross, Wardapi Jukurrpa (Goanna Dreaming) - Yarripurlangu, 30x30cm
  • Tess Napaljarri Ross, Wardapi Jukurrpa (Goanna Dreaming) - Yarripurlangu, 30x30cm
  • Tess Napaljarri Ross, Wardapi Jukurrpa (Goanna Dreaming) - Yarripurlangu, 30x30cm
  • Tess Napaljarri Ross, Wardapi Jukurrpa (Goanna Dreaming) - Yarripurlangu, 30x30cm
Tess Napaljarri Ross, Wardapi Jukurrpa (Goanna Dreaming) - Yarripurlangu, 30x30cm
Tess Napaljarri Ross, Wardapi Jukurrpa (Goanna Dreaming) - Yarripurlangu, 30x30cm
Tess Napaljarri Ross, Wardapi Jukurrpa (Goanna Dreaming) - Yarripurlangu, 30x30cm
Tess Napaljarri Ross, Wardapi Jukurrpa (Goanna Dreaming) - Yarripurlangu, 30x30cm

Tess Napaljarri Ross, Wardapi Jukurrpa (Goanna Dreaming) - Yarripurlangu, 30x30cm

$149.00
  • Aboriginal Artist - Tess Napaljarri Ross
  • Community - Nyirripi  
  • Aboriginal Art centre - Warlukurlangu Artists Aboriginal Corporation  
  • Catalogue number - 6374/19
  • Materials - Acrylic on pre-stretched canvas
  • Size(cm) - H30 W30 D3.5
  • Postage variants - Artwork posted stretched and ready to hang
  • Orientation - Painted from all sides and OK to hang as wished

This Wardapi Jukurrpa (goanna [Varanus gouldii] Dreaming) comes from Yarripilangku, south-west of Yuendumu. It tells the story of a group of Karnta (Warlpiri women) that were sitting down in a circle. A man from Mt. Theo, of the Japangardi skin group named Wamaru, came up to the women. He wanted to take a girl of the wrong skin, a Nungarrayi. He took the Nungarrayi woman, named Yurlkurinyi, and went up the hill where they made love. Then the earth turned to Ngunjungunju (yellow and white ochre) and the man turned himself and all the ‘karnta’ (women) into ‘wardapi’ (goannas). The ochre is still found on top of the hill and is used today for love magic and for ceremonial decoration. This Jukurrpa belongs to the Napaljarri/Japaljarri and Nungarrayi/Jungarrayi subsections. It also belongs to people from Mt Theo of the Japanangka/Napanangka, Japangardi/Napangardi subsections. In paintings of this Jukurrpa, the group of women is often represented by concentric circles and ‘U’ shapes typically are used to represent women. Concentric circles can also illustrate ‘wardapi’ holes and the droppings they leave while ‘wardapi’ tracks are usually represented by ‘W’ shapes.

Tess Napaljarri Ross was born close to Yuendumu, on a cattle station East of Yuendumu. She was named Daisy. When she was a little girl her family moved to Yuendumu, an Aboriginal settlement 290 kms north-west of Alice Springs. Shortly after moving to Yuendumu her father died and her mother later remarried. Her step father, Larry Jungarrayi Spencer who was one or the artists who painted the Yuendumu Doors, taught her the patterns and designs of Yarri Pirlangu, a place south of Yuendumu. She attended the local Yuendumu School and then trained as a teacher assistant through Batchelor College in Darwin. After she finished her training she returned to Yuendumu and has been actively involved in the school Two-Way teaching program which is devoted to maintaining the indigenous Warlpiri culture and language in the community. Tess has also worked as a translator and helped to translate the Yuendumu Doors Book for IATSIS press. She is married and has one daughter, Lizzie Ross with her first husband, Jack Jakamarra Ross. She is very involved with her large extended family and the community in various programs. She has worked with Birds of Australia setting up a bird sanctuary in New Haven, 80 kms north-east of Yuendumu. Tess is one of the earlier painters of Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre established in 1985 and located in Yuendumu. Tess first learnt art at school and when the Centre opened asked what she could paint. It was the Yarri Pirlangu patterns and designs which she still incorporates into her Jukurrpa stories today.




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