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  • Aboriginal Artwork by Vicki Napaljarri Dixon, Ngarlkirdi Jukurrpa (Witchetty Grub Dreaming), 50x40cm
  • Aboriginal Artwork by Vicki Napaljarri Dixon, Ngarlkirdi Jukurrpa (Witchetty Grub Dreaming), 50x40cm
  • Aboriginal Artwork by Vicki Napaljarri Dixon, Ngarlkirdi Jukurrpa (Witchetty Grub Dreaming), 50x40cm
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Aboriginal Artwork by Vicki Napaljarri Dixon, Ngarlkirdi Jukurrpa (Witchetty Grub Dreaming), 50x40cm
Aboriginal Artwork by Vicki Napaljarri Dixon, Ngarlkirdi Jukurrpa (Witchetty Grub Dreaming), 50x40cm
Aboriginal Artwork by Vicki Napaljarri Dixon, Ngarlkirdi Jukurrpa (Witchetty Grub Dreaming), 50x40cm

Vicki Napaljarri Dixon, Ngarlkirdi Jukurrpa (Witchetty Grub Dreaming), 50x40cm

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Community Certified Artwork

This original artwork is sold on behalf of the community-run art centre. It includes their Certificate of Authenticity.

  • Aboriginal Artist - Vicki Napaljarri Dixon
  • Community - Yuendumu  
  • Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
  • Art centre catalogue number - 3817/22
  • Materials - Acrylic on pre-stretched canvas  
  • Size(cm) - H50 W40 D3.5  
  • Postage variants - Artwork posted stretched and ready to hang
  • Orientation - Painted from all sides and OK to hang as wished

This painting depicts Napaljarri and Nungarrayi women (often shown as ‘U’ shaped figures) collecting ‘ngarlkirdi’ (witchetty grubs) in an area known as Kunajarrayi (Mount Nicker) 200 km to the south-west of Yuendumu. Witchetty grubs can be eaten cooked or raw and are edible in all phases of their life cycle. The design of this painting also symbolises important features of initiation ceremonies for young Japaljarri and Jungarrayi men. The area contains many caves (‘pirnki’) overlooking an important ceremonial site associated with the Ngarlkirdi Jukurrpa. This story belongs to the Nungarrayi/Jungarrayi and Napaljarri/Japaljarri subsections. In Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. Circular shapes are often used to depict the important sites for the ceremony and the long straight lines represent ‘witi’ ceremonial poles, which play an important role during the initiation ceremonies.

 

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