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  • Virginia Napanangka Ngalaia, Kushinia, 163x45cm
  • Virginia Napanangka Ngalaia, Kushinia, 163x45cm
  • Virginia Napanangka Ngalaia, Kushinia, 163x45cm
  • Virginia Napanangka Ngalaia, Kushinia, 163x45cm
Virginia Napanangka Ngalaia, Kushinia, 163x45cm
Virginia Napanangka Ngalaia, Kushinia, 163x45cm
Virginia Napanangka Ngalaia, Kushinia, 163x45cm
Virginia Napanangka Ngalaia, Kushinia, 163x45cm

Virginia Napanangka Ngalaia, Kushinia, 163x45cm

$1,039.00
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  • Aboriginal Artist - Virginia Napanangka Ngalaia
  • Community - Ikuntji (Haasts Bluff) 
  • Aboriginal Art Centre - Ikuntji Artists
  • Catalogue number - 08VN317
  • Materials - Acrylic on canvas  
  • Size(cm) - H45 W163 D2  
  • Postage variants - Artwork posted un-stretched and rolled for safe shipping
  • Orientation - Painted from all sides and OK to hang as wished

This painting depicts the story of Kushinia, an ancestral woman. Kushinia knew how to make people's hair really shiny and beautiful. This painting shows the shiny hair of Kushinia.

Virginia is the wife of Joseph Tjangala Zimran, another emerging Ikuntji Artist. Originally from Ntaria/Hermansburg, Virginia is now based at Ikuntji with Joseph where they both paint during the day. Together they have three young children.

In 2014, Virginia participated in the Indigenous Jewellery Project workshop conducted by Kate Rohde at Ikuntji Artists. She was quick to learn the particularities of working with resin and creating small sculptures from clay, which would then be cast in resin. She had learnt about working with clay from her grandmother who was a Hermannsburg Potter.

Her jewellery and small sculptures have been since shown in a variety of exhibitions, including the launch of the project at the JamFactory as part of Tarnanthi Festival.

A lot of stories are still being recounted of long journeys of people from various language groups, who travelled from rockholes and waterholes to caves and mountains finally arriving at Haasts Bluff. The locals, Luritja people of Haasts Bluff, were already here. Thus Haasts Bluff is a community rich of diversity in language and culture.

Ikuntji Artists was first established in 1992, after a series of workshops with Melbourne artist Marina Strocchi, and under the influence of the then community president, the late Esther Jugadai. The art centre was initially set up to fulfil the role of women’s centre providing services such as catering for old people and children in the community. After first experiences made in printing T-shirts, the artists began producing acrylic paintings on linen and handmade paper, which quickly gained the attention of the Australian and international art world as well as earning the centre an impressive reputation for fine art. The focus changed from a women’s centre to an art centre in 2005 with the incorporation of the art centre as Ikuntji Artists Aboriginal Corporation.

The artists draw their inspiration from their personal ngurra (country) and Tjukurrpa (Dreaming). They interpret the ancestral stories by using traditional symbols, icons and motifs. The artistic repertoire of Ikuntji Artists is diverse and includes for example: naive as well as highly abstract paintings told by each artist in their personal signature style. Throughout the 21 years of its existence the art movement in Ikuntji has flourished and constantly left its mark in the fine art world. At the same time the art centre has been the cultural hub of the community, maintaining, reinforcing and reinvigorating cultural practices through art-making.

Today Ikuntji Artists has eight key artists, who exhibit in Australia and internationally. They are represented in major collections across the globe.

Text: Melanie Greiner, Alison Multa and Dr Chrischona Schmidt