The rock art of northwestern Arnhem Land is world-renowned and represents one of the world’s most enduring artistic cultures.
Rock art is a continuing tradition. It includes images of “outsiders”: people and objects brought to Australian shores by Macassans from southeast Asia and, later, by Europeans.
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This 17,500-year-old kangaroo in the Kimberley is Australia’s oldest Aboriginal rock painting
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In troubling and uncertain times like these, we find more meaning than ever in our mission at ART ARK®, which is to create economic opportunities for, and support and celebrate Aboriginal people through art.
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Indigenous art provides important economic benefits. When the art market peaked in 2007, Indigenous art was estimated to generate some A$400-500 million a year. This supported 110 Indigenous art centres and about 5,000 art workers (artists).
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Indigenous Australians have influenced modern Australian dress since first contact. From possum skin cloaks and booka kangaroo capes to shell necklaces in Tasmania, Europeans have been fascinated with Indigenous materials, skills and aesthetics. They have stolen, purchased, borrowed and worn them for more than 200 years.
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Richard Bell, Scientia E Metaphysica (Bell’s Theorem) 2003, Acrylic on canvas, 240 x 540cm. Milani Gallery.
In 2002 Bell decried how the white-controlled Aboriginal art industry privileged art from remote areas as more “authentic” than that from urban areas. Vernon Ah Kee, another successful artist in Milani’s gallery, agrees: urban Aborigines “are as much Aboriginal as anybody else” and, adds Bell, “we paid the biggest price” for colonisation.
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For over a thousand generations Aboriginal people made no distinction between art and craft. Art was, and still is, a way of life and as much about function as it is about beauty and form. Artistic forms continue to be used to give Aboriginal people skills, knowledge and practical tools to survive, thrive and manage the continent of Australia.
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Many Dreaming narratives take the form of lengthy epics, and involve journeying, detailing the inter- and intra-species encounters that take place in the course of those travels.
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A rich inventory of monstrous figures exists throughout Aboriginal Australia. The specific form that their wickedness takes depends to a considerable extent on their location.
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Aboriginal kinship is an integral part of The Dreaming, as are people themselves and their land (or “country” as it’s known in Aboriginal English). One’s place in the kinship system also determines one’s rights and obligations with respect to other people, country, and artistic expression.
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