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  • Aboriginal Artwork by Cecily Napanangka Marshall, Pikilyi Jukurrpa (Vaughan Springs Dreaming), 152x107cm
  • Aboriginal Artwork by Cecily Napanangka Marshall, Pikilyi Jukurrpa (Vaughan Springs Dreaming), 152x107cm
  • Aboriginal Artwork by Cecily Napanangka Marshall, Pikilyi Jukurrpa (Vaughan Springs Dreaming), 152x107cm
  • Aboriginal Artwork by Cecily Napanangka Marshall, Pikilyi Jukurrpa (Vaughan Springs Dreaming), 152x107cm
  • Aboriginal Artwork by Cecily Napanangka Marshall, Pikilyi Jukurrpa (Vaughan Springs Dreaming), 152x107cm

Cecily Napanangka Marshall, Pikilyi Jukurrpa (Vaughan Springs Dreaming), 152x107cm

Pikilyi Jukurrpa tells of the home of two rainbow serpents.

Warlukurlangu Artists Certificate of Authenticity

Community Certified Artwork

This original artwork is sold on behalf of Warlukurlangu Artists, a community-run art centre. It includes their Certificate of Authenticity.

  • Aboriginal Artist - Cecily Napanangka Marshall
  • Community - Nyirripi  
  • Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
  • Catalogue number - 4468/24
  • Materials - Acrylic on linen
  • Size(cm) - H152 W107 D2  
  • Postage variants - Artwork posted rolled for safe shipping
  • Orientation - Painted from all sides and OK to hang as wished

Pikilyi is a large and important waterhole and natural spring near Mount Doreen station. Pikilyi Jukurrpa (Vaughan Springs Dreaming) tells of the home of two rainbow serpents, ancestral heroes who lived together as man and wife. The woman ‘rainbow serpent’ was of the Napanangka skin group, the man was a Japangardi. This was a taboo relationship contrary to Warlpiri religious law. Women of the Napanangka and Napangardi subsection sat by the two serpents, picking lice off them. For this service, the two serpents allowed the women to take water from the springs at Pikilyi. This was because the serpents were the ‘kirda’, or ceremonial owners, for that country. The spirits of these two rainbow serpents are still at Pikilyi today. This Dreamings belongs to the women and men of the Japanangka/Napanangka and Japangardi/Napangardi skin groups.

Cecily Napanangka Marshall was born in 1975 in Alice Springs Hospital, the closest hospital to Yuendumu, a remote Aboriginal community located 290 km north-west of Alice Springs Hospital. Her parents were living in Yuendumu at the time but her mother passed away when she was young and her father moved to Mt Allan. Cecily was brought up by her Grandmother who has since died. She began her schooling in Alice Springs but attended the local school in Nyirripi when she moved in with her Grandmother. Cecily is a single mum with one daughter who attends Nyirripi Primary School. She has sisters and brothers who were also raised by her Grandmother.

Cecily began painting with Walukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, in 2008. However, it wasn’t until 2013 that Cecily began to paint full-time. She paints her Grandmother’s and Grandfather’s Jukurrpa, stories that have been passed down the generations for millennia and relate directly to the land, its features and the plants and animals that inhabit it. Cecily particularly likes painting Karnta Jukurrpa (Women’s Dreaming) from her Grandmother’s side and Watiya-warnu Jukurrpa (Bush Seed Dreaming) from her Grandfather’s side.

Cecily likes to paint with her Grandmother’s sister, Phyllis Napurrurla Williams and her sister Valerie Napurrurla Morris. “I like the stories. I watch as they paint and tell me about the possum dreaming.”

When Cecily is not painting she use to play sport, particularly basketball. These days she likes to go hunting for Yurrampi (Honey ants) and Ngarlkirdi (witchetty grubs).

Warlpiri Art from the Tanami Desert

Warlpiri Art from the Tanami Desert

This artwork comes from Warlukurlangu Artists in Yuendumu. The art centre represents Warlpiri artists from Yuendumu and Nyirripi, located in the Tanami Desert northwest of Alice Springs. This remote region of red sand and open desert Country is central to the stories and knowledge shared through the paintings.

— Image: Nyirripi community in the Northern Territory of Australia

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Remote Aboriginal artists share their culture through art

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