Daphne Napurrula Marks, Yalka Dreaming (bush onion), 165x45cm

• Aboriginal Artist - Daphne Napurrula Marks
• Community - Ikuntji (Haasts Bluff)
• Art Centre/Community organisation - Ikuntji Artists
• Catalogue number - 20-DM30
• Materials - Acrylic on linen
• Size(cm) - H45 W165 D2
• Postage variants - Artwork posted un-stretched and rolled for safe shipping
• Orientation - Painted from all sides and OK to hang as wished

This painting shows the Yalka Dreaming (bush onion) which is situated in a place called Analy, close to Town Bore Outstation. Bush onions grow after the rain and are collected by all the women. The yalka is found underneath the surface and can be eaten raw or cooked in the hot sand next to the campfire. Paintings referring to this Dreaming show diverse motifs such as plants, leaves, seeds, layers or roots.

Daphne was born in 1979 at Alice Springs hospital. She has been painting for several years now and is one of the youngest artists to work at Ikuntji Art Centre. When she was a young girl her Mother and Father passed away. She was raised by her
grandmother, Narputta Nangala Jugadai, Ikuntji's most senior and internationally recognised painter. On the weekends Daphne enjoys hunting and cooking Goanna's, shopping and looking after her 2 sons, Stanley and Christopher. Her family is very
important to her and she spends a lot of time looking after the welfare of her extended family. She is a keen member of the Haasts Bluff softball team. Daphne has an eye for detail and paints meticulous translations of the Haasts Bluff landscape, including flora and fauna. Her work becomes particularly vibrant after the rains when the newly emerged wild flowers dominate her paintings.

A lot of stories are still being recounted of long journeys of people from various language groups, who travelled from rockholes and waterholes to caves and mountains finally arriving at Haasts Bluff. The locals, Luritja people of Haasts Bluff, were already here. Thus Haasts Bluff is a community rich of diversity in language and culture.

Ikuntji Artists was first established in 1992, after a series of workshops with Melbourne artist Marina Strocchi, and under the influence of the then community president, the late Esther Jugadai. The art centre was initially set up to fulfil the role of women’s centre providing services such as catering for old people and children in the community. After first experiences made in printing T-shirts, the artists began producing acrylic paintings on linen and handmade paper, which quickly gained the attention of the Australian and international art world as well as earning the centre an impressive reputation for fine art. The focus changed from a women’s centre to an art centre in 2005 with the incorporation of the art centre as Ikuntji Artists Aboriginal Corporation.

The artists draw their inspiration from their personal ngurra (country) and Tjukurrpa (Dreaming). They interpret the ancestral stories by using traditional symbols, icons and motifs. The artistic repertoire of Ikuntji Artists is diverse and includes for example: naive as well as highly abstract paintings told by each artist in their personal signature style. Throughout the 21 years of its existence the art movement in Ikuntji has flourished and constantly left its mark in the fine art world. At the same time the art centre has been the cultural hub of the community, maintaining, reinforcing and reinvigorating cultural practices through art-making.

Today Ikuntji Artists has eight key artists, who exhibit in Australia and internationally. They are represented in major collections across the globe.

Text: Melanie Greiner, Alison Multa and Dr Chrischona Schmidt